Gaillard went off feeling rather huffed at the summary manner in
which De Nani had dismissed him. His hatred of the old man, which
had vanished before the champagne and the knowledge of his downfall,
returned somewhat. He determined, having nothing better to do, to
betake himself to Toto’s atelier, and spend the afternoon smoking
cigarettes and talking to Célestin about his poems. Célestin made
an admirable audience for a minor poet, even although she was an
illiterate woman and scarcely knew how to read. She had the power
of sympathy, and she listened to Gaillard just as she listened to
Dodor and Toto. When Gaillard would spout a sonnet, and then abuse
it, declaring that it was too full of color, or too sharp in sound,
or destitute of perfume, and that he wished he had never written it,
Célestin, raising her eyes from her work, would cry, “Oh, but I am sure
it is beautiful. It could not be more beautiful. I seem to see those
roses you speak of. And how sad, the roses were unhappy! That seems so
dreadful, does it not, Désiré?” And then Toto, if he were busy, would
give a grunt, and Gaillard would repeat again the sonnet, and declare
that the roses were glad now because Célestin had pitied them.
But she would gladden no roses to-day.
“She has a cold,” said Toto, pointing to the closed bedroom door. “She
got her feet wet yesterday. How glad I am that you have come!”
He was sitting near the stove, and he rose and put on his hat. Someone
had a fit of coughing in the bedroom, and Gaillard stood staring at the
tulip manufactured by Gamier as though it were a dragon.
“Surely, my dear Désiré, you have not descended to things like these!”
He touched the pot warily with the point of his stick, as if fearful of
infection.
“Oh, that!” said Toto carelessly. “It is not mine; it is Célestin’s. Do
not touch it; she is awfully proud of it. Come out with me; I want to
talk to you.” In the street Toto took Gaillard’s arm. “I am so glad you
have come. I am in need of a friend. I am in a state of misery. What
shall I do with that girl?”
“Why, has she been troubling you? _Mon Dieu!_ Désiré, tell me, what is
this?”
“No,” said Toto, “she has not been troubling me. I only wish she had, I
only wish she had. That woman—pah! she is not a woman, she is an angel.”
“So are all women till you find them out. But go on, Désiré. Why all
this terrible excitement?”
“Why? My God! it is very easy for you to talk. She loves me. Well,
then, what am I to do? I have been nearly mad these last few days, and
not a soul to speak to. You don’t care. You have been off to the Moulin
Rouge and Heaven knows where every night!”
Public-domain text, read in full here on John Shaqi.
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