Detective and mystery stories; Gethryn, Anthony (Fictitious character) -- Fiction; Murder -- Investigation -- Fiction
He told her. Waiting, he grew excited. If by any chance he was right,
here was yet more confirmation of his theory.
Dora Masterson’s voice came to his ears. “Hallo. Is that Mr. Gethryn?
I——”
Anthony interrupted. “Yes. I wonder whether you can help me. The
second time I was in your house I picked up a book. Little green book.
Soft leather binding. Essays. Pleasantly written. One was called ‘Love
at First Sight.’ Author’s name on title-page was a woman’s. D’you know
the book I mean?”
“Is it one called _Here and There_?”
“Yes, now who wrote it? Was it really a woman? And is that her real
name? I meant to ask at the time, but forgot.”
3
At twenty minutes to two that afternoon, Anthony stopped his car
outside _The Owl’s_ office. He had broken no record this time; his
mind had been much occupied on the journey. The interviews he had held
with Belford, Mabel Smith, and Elsie Syme before leaving Abbotshall
had given him food for thought.
He found Hastings in his room, with him a little, dapper, sly-eyed
Jew. “Discreet Inquiries. Divorces, Watching, etc.,” thought Anthony.
“This,” murmured Hastings, “is Mr. Pellett.”
“Ah, yes.” Anthony sat down heavily. He was tired and very hungry. He
had not eaten since breakfast. Mr. Pellett displeased him.
“Mr. Pellett,” said Hastings, “has some information which should
interest you. I have paid him fifty pounds. He wants another two
hundred.”
“He would,” Anthony said. “And if he’s got what I want he shall have
it.”
“Thath right,” said Mr. Pellett with a golden smile.
“It may be.” Anthony fixed him with a glittering eye. “Let us hear
you, Mr.—er—Pellet.”
Mr. Pellett cleared his throat, produced a packet of papers, wiped his
hands on a pink silk handkerchief and began.
“About theeth three newthpaperth,” he said—and went on for one hour
and fifty-seven minutes by the clock on Hastings’s table.
He got his two hundred pounds.
4
There was a matinée at the Regency. At half-past four, Anthony was at
the stage-door.
The stage-door keeper remembered that five-pound note and the foreign
gent. He was civil. Yes, Madarm Vander was in the theatre. She had,
indeed, just finished her performance. He would see if the—the prince
could be admitted. The prince scribbled on a card, placed the card in
an envelope, and sealed the envelope. As balm for tender feelings, he
gave the door-keeper a flashing foreign smile and a pound-note.
He was kept waiting not more than three minutes. After four, he was
ushered into the most sacred dressing-room in Europe.
From a silken couch in a silken corner a silken, scented vision rose
to meet him.
Anthony saw that they were alone. He bowed, kissing the imperious
hand. He was regarded with approval by tawny, Slavonic eyes.
She peered at the card in her hand. “Who air you,” she said “that
write to me of—of John?”
Anthony proceeded to make himself clear.
It was nearly six o’clock when he left the theatre.
5
Public-domain text, read in full here on John Shaqi.
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