Detective and mystery stories; Gethryn, Anthony (Fictitious character) -- Fiction; Murder -- Investigation -- Fiction
“Surely the fallacy of blindly accepting as the murderer the man who
made those prints is obvious? Consider the _position_ of the marks.
They point down the handle, towards the blade! It is almost incredible
that at any time would the murderer have held the weapon as a Regency
buck dandled his tasselled cane.
“My difficulty was to reconcile with Deacon’s innocence of the murder
the presence of his finger-prints upon the tool with which it was
committed. That the prints were his I had too much respect for the
efficacy of the Scotland Yard system to doubt.
“A possible solution came to me from memory of a detective story¹ I
once read, in which the murderer, something of a practical scientist,
made, by means of an ingenious and practicable photographical process,
a die of another’s man’s thumb-print. This he used to incriminate the
innocent owner of the thumb.
¹ The Red Thumb Mark, by R. Austin Freeman.
“For a while I cherished this theory, so vivid was my recollection of
the possibility of the method; but I was never really satisfied. Then,
suddenly, I found the explanation which I was afterwards to prove
true.
_“Instead of going to the immense trouble of making a stamp or die,
why not obtain beforehand upon the desired object the _actual_
finger-prints of the chosen scapegoat?_
“After consideration, I accepted this idea. It fitted well enough with
my murderer—a fellow of infinite cunning. I proceeded with the work of
reconstruction. Thus:—
“Since Deacon had no knowledge of the crime, the murderer must have
induced him, in circumstances so ordinary or usual as to be likely to
escape his memory, to take hold of the wood-rasp by its handle at some
time before the murder; perhaps eight hours, probably not more. For
this clever murderer would realise the difficulty of retaining the
finger-prints unspoiled.
“When, after obtaining the finger-prints, he had got rid of Deacon, he
must have removed with gloved hands—taking care not to touch those
parts of the handle where the prints must be—the handle he had
loosened before Deacon had held it. Then that handle must have been
packed (say in a small box with cork wedges) in such a way as to
ensure that its carriage in the pocket for the descent of the wall and
subsequent activities could be effected without those beautiful marks
being spoiled. The reassembling of the tool must have been done after
the murder; and the whole Deacon-damning bit of evidence then planted
for the police to find.
Public-domain text, read in full here on John Shaqi.
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