Detective and mystery stories; Gethryn, Anthony (Fictitious character) -- Fiction; Murder -- Investigation -- Fiction
“(Observe the cunning of this notice. He had, I found from the
servants, placed such a notice on the open door on two previous
occasions. This, I am sure, he had done for a two-fold reason: (i) to
see whether it would really keep out intruders, and (ii) to ensure,
when eventually he placed it there on the night he chose for the
killing of Hoode, that though the household were not become
sufficiently accustomed to it to avoid a glance at it and subsequently
into the room, the sight of the notice was yet familiar enough to
ensure that it was not remarkable as being without precedent. He had,
you see, for the sake of his alibi, to make certain that people
passing (i) would look into his room; (ii) would not come in; and
(iii) would not think the notice anything out of the ordinary.)
“Having placed his notice he draws his arm-chair up to its _familiar_
position facing the window. Then he has to wait. Sometimes he sits.
Sometimes, the waiting too hard upon even such nerves as his, he paces
the room.
“All goes well. Every one, everything, plays into his hands. The very
man he has chosen to incriminate draws the noose, by that request for
the time, tighter round his own neck. The leaden-footed minutes, what
with this incident, that of Belford, and the increasing certainty of
success, begin to pass more swiftly. People go their ways past his
door but do not enter.
“At last it is time. He gets his knotted rope, secures it to the leg
of the carpenter’s bench Hoode has had fitted for him. The bench is
clamped to the floor; no doubt but that it can stand the strain.
“Now, with a wary eye upon the door, he takes from its hiding-place
the replica of the _toupé_ which is on his head, pads it out with a
handkerchief, and sets it on top of a pile of books on the seat of the
chair. The pile is just of the height to show the hair over the
chair-back to one looking into the room from the passage. He knows, he
has tested it many times, (He may, possibly, have used the half-wig
from his head. But I think not. He must have had more than one; and he
would not wish to have anything unusual in his appearance when he
faced Hoode. The difficulty of explaining as a joke his entrance by
the window would be sufficient.)
“A pair of dress trousers pinned to the chair, the lower ends of the
legs slightly padded and twisted one round each of the chair’s front
legs, and a pair of patent-leather shoes set at the right angle,
complete the picture.
Public-domain text, read in full here on John Shaqi.
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