Detective and mystery stories; Gethryn, Anthony (Fictitious character) -- Fiction; Murder -- Investigation -- Fiction
“Well, you did. This is a man’s job. You ought to’ve waited till I
came back. God! how you frightened me! Suppose this outer door here
hadn’t been ajar.”
“But, Jack——”
Hastings forgot murders. “Why d’you call me that?” he asked.
“’Cause I couldn’t always be saying ‘Spencer.’ I’d feel like a heroine
in a serial. And don’t interrupt. I was going to say: Never mind,
we’ve got the man. Won’t Colonel Gethryn be pleased?”
Hastings came back to earth. “By God!” he said. “So that’s the
murderer, is it? So it was that Gethryn was after. Well, he’s a very
ill criminal. How d’you know he is one, by the way?”
“He confessed. He was sort of delirious. Kept saying he’d done it, but
wasn’t going to tell any one. Horrid it was!”
Hastings rubbed his chin. “I wonder,” he said. “I wonder. Come on,
we’re going to have a nice diplomatic talk with that porter I saw
downstairs. And don’t forget we mustn’t let him get a line on what
we’re after.”
4
The hands of the clock in Mrs. Lemesurier’s drawing-room stood at five
minutes to midnight.
There came a lull in the conversation which Anthony had kept flowing
since he had sent his message to Hastings. A wandering talk it had
been, but he had achieved his object. Save for the harassed look about
her eyes, there was now nothing to tell of the strain the woman had
been under. She had even laughed, not once but many times. She was, in
fact, almost normal. And Anthony rejoiced, for he had found her to
possess humour, wit and wisdom to support her beauty. She was, he
thought sleepily to himself, almost too good to be true.
For a moment his eyes closed. Behind the lids there rose a picture of
her face—a picture strangely more clear than any given by actual
sight.
“You,” said Lucia, “ought to be asleep. Yes, you ought! Not tiring
yourself out to make conversation for an hysterical woman that can’t
keep her emotions under control.”
“The closing of the eyes,” Anthony said, opening them, “merely
indicates that the great detective is what we call thrashing out a
knotty problem. He always closes his eyes, you know. He couldn’t do
anything with ’em open.”
She smiled. “I’m afraid I don’t believe you, you know. I think you’ve
done so much to-day that you’re simply tired out.”
“Really, I assure you, no. We never sleep until a case is finished.
Never. It’s rather sad in this one, because I can see it going on for
ever.” He saw her mouth contract with the pain of fear, and went on:
“I mean, I don’t believe we’re ever going to catch the Sparrow.”
“The Sparrow?”
“Yes. Don’t you remember ‘Who killed Cock Robin’? It must have been
the first detective story you ever read. You know, it was the Sparrow
who did the dirty work. ‘And here, in a manner of speaking, we all
are.’ All at sixes and sevens, that is. Here am I, come to the
decision that either A. R. Gethryn or the rest of the world is mad.
There are the police with entirely the wrong bird.
Public-domain text, read in full here on John Shaqi.
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