Man-woman relationships -- Fiction; Married people -- Fiction
It was all a little vague to her at first, because her attention was
focused on a single figure--a compact, rather slender figure, and tall,
Rose thought--of a man in a blue serge suit, who stood at the exact
center of the stage and the extreme edge of the footlights. He was
counting aloud the bars of the music--not beating time at all, nor
yielding to the rhythm in any way; standing, on the contrary, rather
tensely still. That was the quality about him, indeed, that riveted
Rose's attention and held her as still as he was, in the doorway--an
exhilarating sort of intensity that had communicated itself to the
swaying groups on the stage. You could tell from the way he counted that
something was gathering itself up, getting ready to happen. "Three ...
Four ... Five ... Six ... Seven ... _Now!_" he shouted on the eighth
bar, and with the word, one of the groups transformed itself. One of the
men bowed to one of the girls and began waltzing with her; another
couple formed, then another.
Rose watched breathlessly, hoping the maneuver wouldn't go wrong;--for
no reason in the world but that the man, there at the footlights, was so
tautly determined that it shouldn't.
Determination triumphed. The number was concluded to John Galbraith's
evident satisfaction. "Very good," he said. "If you'll all do exactly
what you did that time from now on, I'll not complain." Without a pause
he went on, "Everybody on the stage--big girls--all the big girls!" And,
to the young man at the piano, "We'll do _Afternoon Tea_." There was a
momentary pause then, filled with subdued chatter, while the girls and
men re-alined themselves for the new number--a pause taken advantage of
by an exceedingly blond young man to scramble up on the stage and make a
few remarks to the director. He was the musical director, Rose found out
afterward. Galbraith, to judge from his attitude, gave his colleague's
remarks about twenty-five per cent. of his attention, keeping his eye
all the while on the chorus, to see that they got their initial
formation correctly. Rose looked them over, too. The girls weren't, on
an average, extravagantly beautiful, though, with the added charm of
make-up allowed for, there were no doubt many the audiences would
consider so. What struck Rose most emphatically about them, was their
youth and spirit. How long they had been rehearsing this afternoon she
didn't know. But now, when they might have gone slack and silent, they
pranced and giggled instead and showed a disposition to lark about,
which evidently would have carried them a good deal further but for the
restraining presence of the director. They were dressed in pretty much
anything that would allow perfect freedom to their bodies; especially
their arms and legs; bathing suits mostly, or middy-blouses and
bloomers. Rose noted this with satisfaction. Her old university
gymnasium costume would do perfectly. Anything, apparently, would do,
because as her eye adjusted itself to details, she discovered romper
Public-domain text, read in full here on John Shaqi.
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