"That matter of putting your voice over, Dane," he said, to her amazement quite casually, "is just a question of thinking where you want it to go. If you'll imagine a target against the back wall over there, and will your voice to hit it, whatever direction you're speaking in, and however softly you speak, you will be heard. If you forget the target and think you're talking to the person on the stage you're supposed to be talking to, you won't be heard. Say your lines over to me now, without raising your voice or looking out there. But keep the target in mind." Rose said all the lines she had in the whole three acts. It didn't take a minute. He nodded curtly. "You've got the idea." He added, just as she turned away, "You were quite right to suggest those changes. They're an improvement." That rehearsal marked the nadir of Rose's career at the Globe. From then on, she was steadily in the ascendent, not only in John Galbraith's good graces, which was all of course that mattered. She won, it appeared, a sort of tolerant esteem from some of the principals, and even the owners themselves spoke to her pleasantly. They entertained her vastly, now that a confidence in her ability to do her own part left her leisure to look around a bit. The contrast between the two leading women, Patricia Devereux, who played the title part, and little Anabel Astor, who played the mercenary seductress, was a piquant source of speculation. As far as speech and manners went, Miss Devereux might have been a born citizen of the world Rose had been naturalized into by her marriage with Rodney; in fact, she reminded her rather strikingly of Harriet. She was cool, brusk, hard finished, and, as was evident from Galbraith's manifest satisfaction with her, thoroughly workmanly and competent. Yet she never seemed really to work in rehearsal. She gave no more than a bare outline of what she was going to do. But the outline, in all its salient angles, was perfectly indicated. She rehearsed in her ordinary street clothes, with her hat on, and as often as not, with a wrist-bag in one hand. She neither danced, sang, nor acted. But she had her part letter perfect before any of the other principals. She never missed a cue, and though she sang off the top of her voice, and let the confines of a very scant little tailor skirt mark the limits of her dancing, she sang her songs in perfect tempo and always made it completely clear to Galbraith and the musical director, just how much of the stage in every direction, her dances were going to occupy and precisely the _tempi_ at which they were to be executed. In a word, if her work had no more emotional value than a mechanical drawing, it did have the precision of one. Rose mightn't have appreciated tins, had she not seen and admired Miss Devereux from the front in a production she and Rodney had been two or three times to see the season before.