Man-woman relationships -- Fiction; Married people -- Fiction
"You're the costumer;" said Galbraith. "You design the costumes, buy the
fabrics, superintend the making of them. As for the woman you speak of,
we'll get the wardrobe mistress at the Globe. I happen to know she's
competent, and she's at a loose end just now, because her show is
closing when ours opens. You'll buy the fabrics and you'll pay her. And
what profit you can make out of the deal, you're entitled to. I'll
finance you myself. If they won't take what we show them, why, you'll be
out your time and trouble, and I'll be out the price of materials and
the woman's labor."
"I don't think it would be fair," she said, and she found difficulty in
speaking at all because of a sudden disposition of her teeth to
chatter--"I don't think it would be fair for me to take all the profit
and you take all the risk."
"Well, I can't take any profit, that's clear enough," he said; and she
noticed now a tinge of amusement in his voice. "You see, I'm retained,
body and soul, to put this production over. I can't make money out of
those fellows on the side. But you're not retained. You're employed as a
member of the chorus. And so far, you're not even being paid for the
work you're doing. As long as you work to my satisfaction there on the
stage, nothing more can be asked of you. As for the risk, I don't
believe it's serious. I don't think you'll fall down on the job, and I
don't believe Goldsmith and Block will throw away a chance to save some
money."
At the end of another silence, for Rose was speechless here, he went on
expanding the plan a little further. And if the assurances he gave her
were essentially mendacious, he himself wasn't exactly aware that they
were. It had often happened in productions of his, he said--and this
much was true--that to save time or to accomplish some result he wanted,
he put up a little of his own money for something and trusted to a
prosperous event for getting it back. It was clearly for the good of the
show that the costumes for the sextette should be better than the ones
Mrs. Goldsmith had picked out. The only alternative way of getting them,
to a knock-down and carry-away fight with Goldsmith and Block, which,
even if it were successful, would weaken the effect of his next
ultimatum, was the plan he now proposed to Rose. She needn't regard the
money he put up as in any sense a personal loan to her. They were simply
cooperating for the good of the enterprise. If her work turned out to be
valuable, it was only right she should be paid for it.
And then he pressed her for an immediate decision. The job would be a
good deal of a scramble at best, as the time was short. If she agreed to
it, he'd get in touch with the wardrobe mistress at the Globe, to-night.
As for the money, he had a hundred dollars or so in his pocket, which
she could take to start out with.
Public-domain text, read in full here on John Shaqi.
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