Man-woman relationships -- Fiction; Married people -- Fiction
The only treatment for hobgoblins like that was plain endurance. This
was a part of a somber sobering discovery that Rose had made during the
first few days of her new life. Courage of the active sort she'd always
had. The way she went up to North End Hall and wrested a job that didn't
strictly exist, from John Galbraith, was an example of it. When it was a
question of blazing up and doing something, she had rightly counted on
herself not to fail. This was what she'd foreseen when she promised
Portia that she would fight for the big thing.
But that part of the battle of life had to consist just in doing
nothing, enduring with a stiff mouth and clenched hands assaults that
couldn't be replied to, was a fact she hadn't foreseen. What a child she
had always been! Rodney, Portia, everybody who amounted to anything,
must have learned that lesson of sheer endurance long ago.
The queerly incredible quality of the lighted half of her life--the half
that John Galbraith's will galvanized into motion--prevented any
afterglow from illuminating and making tolerable the dark half. No
achievement of her days--not even teaching the sextette to talk--had the
power to give her, in her nights, a sense of progress, or to lessen the
necessity for that sheer dumb endurance which was the only weapon she
had. Because she was in the fetters of a fixed idea.
Of course it was only by virtue of the possession of a fixed idea--a
purpose as rigid in its outlines as the steel frame of a
sky-scraper--that she had been able to force herself to leave Rodney and
set out in pursuit of a job that would make a life of her own a possible
thing. You are already acquainted with the outlines of that purpose. She
lacked the special training which alone could make any sort of
self-respecting life possible. The only thing she had to capitalize when
she left her husband's house, was the thing which had got her into
it--her sex charm. The only excuse for capitalizing that again was that
it would make it possible for her to acquire a special training in some
other field. Stenography, she had thought vaguely, would be the first
round of the ladder. Until this production opened and she began drawing
a salary, she couldn't really begin doing the thing she had set out to
do.
Consequently, anything that seemed like progress during her day's work
for Galbraith--any glow of triumph she came away with after meeting and
conquering some difficulty--must be pure illusion.
Public-domain text, read in full here on John Shaqi.
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