Man-woman relationships -- Fiction; Married people -- Fiction
His eyes kindled. "That's it," he said. "That's what I've felt about you
all along. I suppose it's the reason I felt you never could be an
actress. You see the thing the way I do--the whole fun of the game is
getting the timing. Once it's got ..." He snapped his fingers; and with
an eager nod she agreed.
He was in focus now, there could he no doubt of that. But it didn't
occur to him that it was the director who was in focus, not the man.
The fact was that in evoking the director she'd banished the man--a
triumph she wasn't to realize the importance of until a good deal later.
"Well, then, look here," he said. "I've an idea that I could use you to
good advantage as a sort of personal assistant. There'll be a good deal
of work just of the sort you did with the sextette, teaching people to
talk and move about like the sort of folk they're supposed to represent.
That's coming in more and more in musical comedies, the use of the
chorus as real people in the story--accounting for their exits and
entrances. It would be done more if we could teach chorus people to act
human. Well, you can do that better than I; that's the plain truth. And
then I think after you'd got my idea of a dance number you could
probably rehearse it yourself, take some of that routine off my hands.
Under this new contract of mine, that I expect to sign in a day or two,
I'll simply have to have somebody. And then, of course, there's the
costuming. That's a great game, and I've a notion, though of course I
haven't a great deal to go by, that you could swing it. I think you've a
talent for it.
"There you are! The job will be paid from the first a great deal better
than what you've got here. And the costuming end of it, if you succeed,
would run to real money. Well, how about it?"
"But," said Rose a little breathlessly--"but don't I have to stay here
with _The Girl Up-stairs_? I couldn't just leave, could I?"
"Oh, I shan't be ready for you just yet anyway," he said. "I'll write
when I am and by that time you'll be perfectly free to give them your
two weeks' notice. By the way, haven't you some other address than care
of the theater--a permanent address somewhere?"
"Care of Miss Portia Stanton," she told him, and as he got out his card
and wrote it down, she added the California address. It recalled to his
mind that she had told him her name was Rose Stanton on the day he had
given her a job, and the memory diverted him for a moment. Then he
pulled himself back.
"They'll be annoyed, of course--Goldsmith and Block. But, after all,
you've given them more than their money's worth already. Well--will you
come if I write?"
"It seems to be too wonderful to be true," she said. "Yes, I'll come, of
course."
Public-domain text, read in full here on John Shaqi.
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