Man-woman relationships -- Fiction; Married people -- Fiction
"I don't believe a word of it," said John Williamson. "I don't believe
Doris Dane--if that's her name--is Rose, in the first place. And I don't
believe Rose has had a quarrel with Rodney. But if she has, and if she's
really there in that show ... Well, I know Rose--not so well as I'd have
liked to, but pretty well--and I know she's a fine girl and I know she's
square. And if I ever saw a girl in love with her husband, she was.
Well, and if she has done it, she's got a reason for it. Oh, I don't
mean another woman or a trunk-strap, or any of the regular divorce court
stuff. That's absurd, of course. And it may be, really, a fool reason.
But you can bet it didn't look like that to her. She wouldn't have done
it, admitting it's what she's done, unless she felt she had to."
"Oh, yes," said Violet, "I expect she's feeling awfully noble about it,
and I'll admit she was in love with Rodney. And that makes it all the
worse! If she'd fallen in love with some other man and run off with
him--well, that isn't pretty, but it's happened before and people have
got away with it. But this running away on account of some silly idea
that she's picked up from that votes-for-women mother of hers, running
away from a man like Rodney, too, just makes you sick."
Her husband didn't try to answer her, except with a regretful sigh. He
recognized in the stinging contempt of his wife's words, the voice of
their world. If Doris Dane of the sextette were really Rose--and in the
bottom of his heart, despite his valiant pretense, he couldn't manage
more than a feeble doubt of it--she had committed the unforgivable sin.
Or so he thought, leaving out of his calculations one ingredient in the
situation. She had done an unconventional thing for the sake of a
principle!
"Well," said Jimmy Wallace after a while, heading the conversation away,
as he was wont to do, from what might be an endless discussion of moral
principles, "the purpose of this council of war is to decide what we are
going to do about it. Are we going to tell Aldrich or his sister about
the dressmaker who looks so much like his wife, and let them find out
for themselves whether she is or not? Or are we going to make sure first
by going back on the stage there and having a talk with her? Or are we
just going to shut up about it--never have been to the Globe at all; or,
in my case, never to have noticed the resemblance?"
"On the chance, you mean," John inquired, "that Rodney and Frederica
never find out at all? How much does that chance amount to?"
Public-domain text, read in full here on John Shaqi.
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