"So I will," snapped Starbuck, half morosely. "Two nights ago, when you
were telling me about this Miss Rich-acres, you said there was nothing
to it, and I said you never could tell, when there was a woman in it. I
saw you two when you came out of the Hophra dining-room together last
night, and I saw the look in that girl's eyes. Do you know what I said
to myself right then, John? I said: 'Oh, you little girl out at the
Hillcrest ranch--good-by, you!'"
Smith's grin was half antagonistic. "You _are_ an ass, Billy," he
asserted. "I never was in love with Verda Richlander, nor she with me."
"Speak for yourself and let it hang there, John. You can't speak for the
woman--no man ever can. What I'm hoping now is that she doesn't know
anything about you that Stanton could make use of."
Again the High Line's new secretary turned to stare at the black
backgrounded window.
"You mean that she might hear of--of Miss Corona?" he suggested.
"You've roped it down, at last," said the friendly enemy. "Stanton'll
tell her--he'll tell her anything and everything that might make her
turn loose any little bit of information she may have about you. As I
said a minute ago, I'm hoping she hasn't got anything on you, John."
Smith was still facing the window when he replied. "I'm sorry to have to
disappoint you, Starbuck. What Miss Richlander could do to me, if she
chooses, would be good and plenty."
The ex-cowboy mine owner drew a long breath and felt for his
tobacco-sack and rice-paper.
"All of which opens up more talk trails," he said thoughtfully. "Since
you wouldn't try to take care of yourself, and since your neck happens
to be the most valuable asset Timanyoni High Line has, just at present,
I've been butting in, as I told you. Listen to my tale of woe, if you
haven't anything better to do. Besides the Miss Rich-ranches episode
there are a couple of others. Want to hear about 'em?"
Smith nodded.
"All right. A little while past dinner this evening, Stanton had a hurry
call to meet the 'Nevada Flyer.' Tailed onto the train there was a
private luxury car, and in the private car sat a gentleman whose face
you've seen plenty of times in the political cartoons, usually with
cuss-words under it. He is one of Stanton's bosses; and Stanton was in
for a wigging--and got it. I couldn't hear, but I could see--through the
car window. He had Stanton standing on one foot before the train pulled
out and let Crawford make his get-away. You guess, and I'll guess, and
we'll both say it was about this Escalante snap which is aiming to be
known as the Escalante fizzle. Ain't it the truth?"
Again Smith nodded, and said: "Go on."
Public-domain text, read in full here on John Shaqi.
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