"There are a number of things, but the one which concerns you most, just
now, is this: we've got Smith's record, at last. He is an outlaw, with
a price on his head. We've dug out the whole story. He is a defaulting
bank cashier, and before he ran away he tried to kill his president."
Baldwin was frowning heavily. "Who told you all this? Was it this Miss
Richlander over at the Hophra House?"
"No; it was her father. I sent one of my young men out to the Topaz to
look him up."
"And you have telegraphed to the chief of police, or the sheriff, or
whoever it is that wants Smith?"
"Not yet. I wanted to give you one more chance, Dexter. Business comes
first. The Brewster City National is a bank, not a detective agency. You
go and find Smith and fire him; tell him he is down and out; get rid of
him, once for all. Then come back here and we'll fix up that compromise
with Stanton."
Baldwin found a match and tried to relight the dead cigar. But it was
chewed past redemption.
"Let's get it plumb straight, Dave," he pleaded, in the quiet tone of
one who will leave no peace-keeping stone unturned. "You say you've got
John dead to rights. Smith is a mighty common name. I shouldn't wonder
if there were half a million 'r so John Smiths--taking the country
over. How do you know you've got the right one?"
"His middle name is 'Montague'," snapped the banker, "and the man who is
wanted called himself 'J. Montague Smith'. But we can identify him
positively. There is one person in Brewster who knew Smith before he
came here; namely, Mr. Richlander's daughter. She can tell us if he is
the right Smith, and she probably will if the police ask her to."
Baldwin may have had his own opinion about that, but if so, he kept it
to himself and spoke feelingly of other things.
"Dave," he said, rising to stand over the square-built man in the
swing-chair, "we've bumped the bumps over a good many miles of rough
road together since we first hit the Timanyoni years ago, and it's like
pulling a sound tooth to have to tell you the plain truth. You've got a
mighty bad case of money-rot. The profit account has grown so big with
you that you can't see out over the top of it. You've horsed back and
forth between Stanton's outfit and ours until you can't tell the
difference between your old friends and a bunch of low-down,
conscienceless land-pirates. You pull your gun and go to shooting
whenever you get ready. We'll stay with you and try to hold up our
end--and John's. And you mark my words, Dave; you're the man that's
going to get left in this deal; the straddler always gets left." And
with that he cut the interview short and went back to the High Line
offices on the upper floor.
XXVII
Two Witnesses
Public-domain text, read in full here on John Shaqi.
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