The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
If this manner of dealing with sure facts is acceptable to
readers, they may congratulate themselves on having discovered the six
months, at the beginning or end of which, the poet was first possessed by
the fancy that his father was looking out for a pretext for locking him up
in a madhouse:--the hideous fancy that (to use Love Peacock's words)
'haunted him throughout life.'
How came this ghastly and absolutely groundless fancy to take this early
and enduring hold of his mind? The answer must be sought in the poet's
ancestral story, the characteristics of the romantic literature of which
he had been a greedy devourer from his early childhood, and the conditions
of his life at Eton. The answer to be extorted from these three sources of
information is doubtless an answer, resting on inference and conjecture
from facts, almost as much as upon facts themselves. Still it is an answer
worth having, though veined with uncertainties. The Shelleys, who
eventually blossomed into the Castle Goring house, resembled the
eighteenth and nineteenth century Byrons in having a distinct strain of
madness. Mention has already been made of the Newark apothecary's elder
brother, whose story is told in the following words of the Castle Goring
pedigree:--
'John Shelley, of Fen Place, aforesaid, esq., 2nd son, _a lunatic_.
Bapt. at Worth 1st September, 1696; died unmarried at Uckfield, 7th
October, 1772, buried at Worth 18th same month.'
This long-lived lunatic, who did not escape from his dismal doom in this
world, till he had entered his seventy-seventh year, is a significant
feature of the poet's ancestral story. Brother of the Newark apothecary,
this madman, whose affliction caused him to be set aside in the
arrangements of the family (to his younger brother's advantage), was the
first baronet's uncle, the poet's great-great-uncle. The obscurity of the
families, with whom this lunatic's ancestors intermarried before his
period, precludes the discovery of the number of the various channels
through which insanity may have come to his brain. But it is not to the
physiological credit of the Castle Goring Shelleys, that their ancestors
married so many heiresses. Families, whose men have married for money in
successive generations, are usually seen to suffer in bodily stamina and
mental health from what has come together with money to the family story.
There is, of course, no reason why an heiress should not be as healthy as
a poor parson's daughter. But there is nothing in money to exempt its
possessor from struma in its various forms; and so long as he can win in
his bride the first object of his desire, money, the male fortune-hunter
is apt to shut his eyes to the indications that the advantages of the
money must be taken with serious attendant drawbacks. Families, famous for
marrying heiresses, whether they intermarry with noble stocks, or, like
our poet's ancestors, with mere gentle yeomanry (_i.e._ squireens entitled
Public-domain text, read in full here on John Shaqi.
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