The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
But though she cannot draw him to her embrace, Matilda La Contessa gains a
gradually growing influence over the Count by 'her siren illusions and
well-timed blandishments.' Soothing him in his wilder moods, cheering him
in his dejection, Matilda di Laurentini diverts him with piquant speech,
fascinates him with the music of her harp and voice, and animates him with
the society she attracts to her salon. Playing the part of his ministering
angel, she conceals from Verezzi the real nature of the passion, whose
fierceness and animality would revolt him. 'Her breast,' the reader is
told, 'heaved violently, her dark eyes, in expressive glances, told the
fierce passions of her soul; yet, sensible of the necessity of controlling
her emotions, she leaned her head upon her hand, and when she answered
Verezzi, a calmness, a melting expression overspread her features. She
conjured him, in the most tender, the most soothing terms, to compose
himself; and, though Julia was gone for ever, to remember that there was
yet one in the world, one tender friend, who could render the burden of
life less unsupportable.'
At length joy comes to this tender friend, whose demeanour is so mild and
conciliatory to the Count Verezzi, though, in his absence, her bosom often
heaves violently, whilst her dark and lustrous eyes emit glances, eloquent
of the soul's fiercest passion. Matilda La Contessa di Laurentini, and her
idolized Count, have journeyed from Passau to yet another of her stately
homes,--the Castella di Laurentini, standing in a gloomy and remote spot
of the Venetian territory; a palace surrounded by a darksome forest, and
lofty mountains that 'lift their aspiring and craggy summits to the
skies,'--when the lady achieves her purpose by a melodramatic stratagem.
To win the Count, she is admonished by Zastrozzi to 'dare the dagger's
point,' and is, at the same time, instructed by her counsellor _how_ to
dare it. In accordance with the instructions, Matilda La Contessa leads
Verezzi to a convenient spot of her picturesque demesne--a spot where, on
the right hand, the thick umbrage of forest trees would render
indistinguishable any person lurking about; whilst on the left, there
yawns a frightful precipice, at whose base a deafening cataract dashes
with tumultuous violence around misshapen and enormous masses of rock,
lying at the foot of the gigantic and blackened mountain, which rears its
craggy summit to the skies.
Public-domain text, read in full here on John Shaqi.
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