The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
At Venice Matilda soon discovers that Zastrozzi's warning was not given
without reason. They have not been there many days, when one evening she
and the Count behold the pensive and melancholy Marchesa di Strabozzi,
gliding over the Laguna in her magnificent gondola, surrounded by 'the
innumerable flambeaux which blazing about rival the meridian sun.' Whilst
the Count discovers that the Marchesa, the real possessor of his heart, is
still alive, the Contessa Matilda discovers that Zastrozzi has deceived
her with a false announcement of her rival's death. At the same time, the
pensive and melancholy Julia di Strabozzi discovers that her Count Verezzi
is living on terms of suspicious familiarity with Matilda di Laurentini.
These discoveries are followed by dramatic incidents and tragic scenes.
Sitting with Matilda in the villa of the eastern suburb, the Count Verezzi
is in the act of drinking to her, with protestations of eternal fidelity,
when the pensive and melancholy Julia appears at the supper-table. 'My
adored Matilda!' the Count is saying, 'this is to thy happiness,--this is
to thy every wish; and if I cherish a single thought which centres not in
thee, may the most horrible tortures which ever poisoned the peace of man
drive me instantly to distraction! God of Heaven! witness thou my oath,
and write it in letters never to be erased! Ministering spirits, who watch
over the happiness of mortals, attend! for here I swear eternal fidelity,
indissoluble, unutterable affection, to Matilda!'
No sooner has the Count Verezzi delivered himself of this oration than
Julia comes into the room. The Count has been taken at his word! The
ministering spirits are in attendance! If she has not appeared as a
witness against him, Julia has come to inquire why her affianced suitor is
living so intimately with Matilda. No wonder that Verezzi dashes the
goblet to the ground! that his frame is agitated with convulsions! that,
'seized with sudden madness, he draws the dagger from his girdle, and with
fellest intent raises it high!'
'Raised with fellest intent,' the gleaming poniard is in a trice buried in
the Count's breast. Whilst 'his soul flies without a groan, his body falls
upon the floor bathed in purple blood.' Furious at the spectacle, Matilda
plucks the weapon from her husband's corse, and rushes upon the pensive
and melancholy intruder, who, seeing mischief in the Contessa's flashing
eyes, and danger in the ensanguined weapon, turns and flies towards the
door. 'Nerved anew by this futile attempt to escape her vengeance, the
ferocious Matilda seizes Julia's floating hair, and holding her back with
fiend-like strength, stabs her in a thousand places, and with exulting
pleasure again and again buries the dagger to the hilt in her body, even
after all remains of life are annihilated.' On throwing the dagger from
her, Matilda di Laurentini regards a terrific scene with sullen gaze.
Public-domain text, read in full here on John Shaqi.
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