The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Unless Stockdale's memory failed him on the matter in 1827, neither of
these copies came to his hands.--'It is singular,' he says in his
scandalous _Budget_ (1827), 'that, after all, the poem of _The Wandering
Jew_ never reached my hands, nor have I either seen or heard of it from
that time.' From this not altogether reliable statement it seems that
there was a miscarriage of the second and 'reserved' transcript of the
poem, sent by Shelley himself from Field Place to Pall Mall. For the
removal of a scarcely noteworthy misapprehension, it may be observed there
was no similar miscarriage of the other copy; the evidence being abundant
that the MS., sent by Shelley from Field Place to Edinburgh, was _not_
lost through miscarriage on its way from Edinburgh to Pall Mall. This MS.
cannot have miscarried for the simple reason, that it was never
despatched by the Ballantynes to Mr. Stockdale's place of business.
Instead of being sent to London, in accordance with the suggestion made by
the Ballantynes themselves, and in accordance with the instructions sent
to them by Shelley, mainly in consequence of their suggestion, the MS.
rested at Edinburgh till 1831, when, some nine years after the poet's
death, it came to light;--a discovery that was speedily followed by a
publication of some portions of the metrical folly (Medwin says 'four of
the cantos') in _Fraser's Magazine_.
After throwing off _The Wandering Jew_, which even Mr. Buxton Forman, with
all his reverence for every scrap of paper blotted by the poet, has
excluded (with the exception of a few verses) from his authorized edition
of the poet's writings, Shelley, with the assistance of a friend, produced
in the spring or summer of 1810, the volume of poetry entitled _Original
Poetry, by Victor and Cazire_,--the edition of miserable rhymes, noticed
in the _British Critic_ of 1811 (_vide_ Professor Dowden's very noteworthy
article in _The Contemporary Review_ of September, 1884, on 'Some Early
Writings of Shelley'), that was suppressed soon after its untimely birth,
because at least one of the poems was discovered to be scandalously
wanting in originality; to be, in fact, a gross and disgraceful plagiarism
of one of Monk Lewis's pieces of sensational verse.
Public-domain text, read in full here on John Shaqi.
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