The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
In like manner the conversations, which Mr. MacCarthy derides as 'invented
conversations,' were of course given as nothing more than exhibitions of
certain matters, and the kind of matters on which he remembered himself to
have talked with the poet, and of the way in which they talked together to
the best of his recollection after a lapse of more than twenty years. To
the lawyer, familiar with questions of evidence, it never occurred that
'the conversations' would be read in any other way. To the humourist (and
that Hogg was a racy humourist is admitted even by his enemies) the bare
imagination that any supremely matter-of-fact mortal would read 'the
conversations,' as one peruses a short-hand reporter's notes of a legal
cross-examination, would have been provocative of vehement laughter. The
questions for the critic to ask about these conversations are, Do they
faithfully exhibit the kind of subjects on which the two friends
chatted?--the ways in which the talk flowed?--the sentiments and manner of
the young poet? Are they, in fact, faithful exhibitions of what Hogg
remembered, or believed himself to remember, after a lapse of more than
twenty years, of the talk he and Shelley had with one another when they
were undergraduates? No impartial and fairly intelligent reader of the
Papers will hesitate to answer these questions in the affirmative.
However defective, the Papers on _Shelley at Oxford_ were greatly
beneficial to the reputation of the poet, whose writings had found few
readers outside the literary coteries during his life, whose name was
still associated in the minds of the majority of educated Englishmen with
atheism, conjugal faithlessness, and dangerous politics, rather than with
the highest poetry. Written lightly and circulated widely, the sketches,
dealing only with the Oxonian Shelley, created an impression that the
undergraduate had been treated harshly by the authorities of his college,
and left readers in a mood to discover that he had been too severely
punished for the indiscretions of later stages of his career. Henceforth,
instead of being confined to the coteries, the desire for larger knowledge
of the poet's personal story found a voice in general society.
Public-domain text, read in full here on John Shaqi.
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