The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Though it took the outer world by surprise, the immediate result of the
publication of Hogg's two volumes was less surprising to the literary
coteries, and no matter of surprise whatever to the few members of those
coteries, who, knowing that Hogg was a robust enemy of shams, knew that no
biographer would satisfy Field Place, which should fail to accord with the
straight-nosed pictures, and with the notion that Shelley was a being of
stainless purity and angelic holiness.
If, in writing the _Life_, Hogg's first duty was to be thoughtful for the
sensibilities of Field Place, his book must indeed be declared a bad one.
Instead of giving readers the Shelley indicated by the frontispiece of the
first volume, or the Shelley who, under auspicious circumstances might
have been the Saviour of the World, or a Shelley who might have sobered
down into a pheasant-shooting squire and Chairman of Quarter-Sessions, the
biographer makes us acquainted with the wayward, freakish, impulsive,
scarcely sane, and ever restless Shelley of the poet's early manhood,--the
Shelley, whose great wit was divided from madness by a strangely thin
partition; the Shelley, whose earnestness was too often associated with
perversity, whose winning candour was curiously allied with secretiveness,
whose impulsive benevolence was perplexingly linked with indifference to
the feelings and rights of particular individuals; the Shelley, whose
several amiable and generous traits were attended by qualities that were
neither beneficent nor agreeable. Showing that this whimsical Shelley was
a frequent utterer of untruths that were altogether or partly referable to
delusions, Hogg also shows by evidence of the most conclusive kind that
this perplexing Shelley could also utter untruths, knowing them to be
untruths--was capable of telling fibs to escape a trivial
inconvenience,--was capable of writing false and wheedling letters to get
money, and of admitting with a singular, if not absolutely unique,
shamelessness, that he had told a lie, or meant to tell a lie for a very
slight reason.
Public-domain text, read in full here on John Shaqi.
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