The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Other pleasant examples are given by Hogg of the fine human interest
Shelley took in the humble, and sometimes unlovely, children they
encountered in their pedestrian excursions round about Oxford,--such
children as the gipsy girl whom he visited in her parental tent, and her
brother, the little gipsy boy, into whose hands he rolled the big orange,
which he had brought out with him from Oxford, for his own refreshment
during a long walk. It may serve the purpose of Hogg's detractors to decry
these stories as manifest fabrications; but to me they are evidential of
Hogg's substantial truthfulness, because whilst they commemorate just such
characteristic trifles as are apt to survive far more important matters in
our recollections of the dead who were dear to us long ago, they are the
mere trifles which no fraudulent tale-wright would think of inventing.
Only to the narrator, who remembered them feelingly, would such trifles
appear worthy of record.
The walks in the country round about Oxford took the longer time, because
of two of Shelley's favourite diversions--his delight in pistol-practice,
and the pleasure he found in folding and twisting pieces of paper into
little boats, and putting them afloat on the surface of pond or streamlet.
His fondness for the former amusement affords another of his numerous
resemblances to Byron. Like the Byron of Southwell and Cambridge, the
Shelley of Field Place and Oxford, seized every convenient occasion for
blazing away with powder and ball, and perfecting himself in the use of
'the hair-trigger,'--a practice that would have been more remarkable in
each of the poets, had it not been usual in the days of duelling for
youngsters to regard pistol-practice as an important part of the education
of every gentleman, who in his way through life might at any moment be
invited to exchange shots at ten paces. To the biographer of the two
poets, their fondness for this military pastime is the more interesting,
because they lived to fire away at the same mark day after day during
their residence at Pisa. That the sport in which he delighted in the last
year of his life was one of Shelley's favourite amusements at Oxford, we
know from Hogg, who tells how the youthful poet of 'mild aspect and
pacific habits,' used to equip himself for a country walk, with a pair of
duelling pistols and a good supply of powder and ball. On coming to a
solitary spot during a rural ramble, it was his use to fix a card, or some
other suitable object, upon a tree or embankment, and fire away at it till
his ammunition was exhausted. On one occasion he induced Hogg to have a
shot at a slab of wood, about as big as a hearth-rug. Taking the pistol,
Hogg discharged it at an unusally long range for pistol-practice, and sent
his bullet into the very centre of the wooden target. Shelley was amazed
and delighted at the goodness of his friend's firing, and running to the
board gazed intently at the place of the bullet's lodgment. After
Public-domain text, read in full here on John Shaqi.
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