The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Happy in themselves, Hogg and Shelley did not care to be happy with other
undergraduates, either of their own college or of the other colleges. A
few old Etonians, belonging to other colleges, occasionally visited
University College, to see the whilom Atheist of their former school; but
though Shelley was civil to them, and on the eve of his abrupt withdrawal
from the University paid Halliday a farewell call, he showed no
disposition to be intimate with them. Three or four other undergraduates,
to whom the supremely self-sufficient Mr. Hogg refers loftily as harmless
and inoffensive persons, also found themselves now and then in the young
poet's rooms; but no cordial pressure was put upon them to come oftener.
Mr. Hogg and the freshman were sufficient unto themselves.
Necessarily known, under these circumstances, within their own college as
'the Inseparables,' the two close friends were also known throughout the
University as 'the Inseparables.' How could it be otherwise, when they
were seen by walking men and riding men, day after day (weather
permitting) walking along the roads and over the meadows round about
Oxford? Whilst both were almost daily seen together, it was seldom that
either of them was ever seen 'out of college' without the other. Men who
thus 'keep themselves to themselves' are never popular with the multitude
from whom they hold aloof. There was much curiosity about the two singular
young men, after the publication of the _Posthumous Fragments of Margaret
Nicholson_ (published on, or just before, 17th November, 1810), of which
they were generally understood to be joint-authors;--but the curiosity was
not flattering nor even friendly. It was averred that they aimed at
eccentricity in costume and deportment; that they thought too well of
themselves, and said by their looks, 'We are superior to everybody;' that
Shelley's turn-down collars (worn, of course, so that he might be taken
for another Lord Byron, and capable of writing a better satire than the
_English Bards_), and his blue coat with glittering (Birmingham steel)
buttons, were unutterably ludicrous; that his shock of wildly flowing hair
was a disgrace to the University; that known as Mad Shelley, before he was
sent away from Eton in disgrace, he seemed bent on justifying the
nickname.
Public-domain text, read in full here on John Shaqi.
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