The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
However they may differ about the literary style and logical force of this
tract, all fair readers must allow that it exhibits no signs of levity, no
indication of having been thrown off in jest as a satire on the class of
performances to which it really belongs. From the first line to the last,
it accords with the Atheist's declaration (in the advertisement) that he
is actuated by a love of truth, and is earnestly desirous that its
arguments may receive serious consideration. Yet it has been described as
a mere harmless piece of fun.
The Shelleyan apologists call attention to the brevity of the monograph,
as though it were a fact in Shelley's favour. It is suggested that serious
books are long books of many pages with many words on a page; and that so
short an essay (even if it was wrong of Shelley to produce it) should be
regarded as a trivial performance, and its publication as nothing worse
than a trivial indiscretion; the implication being that the Master and
Fellows of University College were guilty of monstrous injustice and
cruelty in expelling the author of so small a work. In thus prating about
the insignificant size of the work, these apologists resemble the peccant
maid-servant, who pleaded that, if she had given birth to an infant
without having gone through any form of lawful marriage, it should be
remembered, in palliation of the misdemeanour, that her baby was an
unusually little one. Writing from those 'authentic sources,' which have
afforded her much strange misinformation, Lady Shelley assures us that the
little pamphlet was a 'publication consisting of only two pages;' whereas
if she will only return to her original sources and count the duly
numbered pages, the author of _Shelley Memorials_ will discover that the
text of the small treatise occupies _seven pages_, besides the title-page
and the page exhibiting the 'advertisement,' which is no immaterial part
of the composition. How came Lady Shelley to count the pages so
carelessly? Lady Shelley is curiously wrong on other points about this
little pamphlet. 'In point of fact,' we are told by the lady who suffered
so acutely from Hogg's inaccuracies, 'the pamphlet did not contain any
positive assertion.' Why, the tract is made of positive assertions; it
would not be easy for Lady Shelley to find another tract of the same
length, containing a greater number of positive assertions. The tract
concludes with a sentence of these words:--'Every reflecting mind must
allow that there is no proof of the existence of a Deity;' words followed
by what the lady calls 'a Q. E. D.' What more does this assertion require
to render it 'positive?' Speaking from her original sources, Lady Shelley
tells us that Shelley wrote the little pamphlet 'hastily,' and 'with his
habitual disregard of consequences.' How a pamphlet, made up out of the
'very careful analysis' of Hume's _Essays_, which Shelley and his friend
had prepared in the previous term, can be said to have been written
Public-domain text, read in full here on John Shaqi.
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