The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Instead of writing to him in her old vein of enthusiastic and worshipful
admiration, Elizabeth had the presumption to remind him of his and her
duty to their parents; sending him the letters that moved him to charge
her with 'talking cant and twaddle.' Had he not cause to think with sorrow
and bitterness of the 'young female,' who, after asserting for a brief
while her 'claim to an unfettered use of reason,' had returned to the sway
of the bigots. How could he be sanguine of again reclaiming her from the
darkness of mediæval superstition to the clear sunshine of philosophy,
when to do so he must conquer her countless hateful prejudices, teach her
to despise the world's opinion; nerve her to repudiate the doctrines of
'the tremendous Gregory,' and purge her mind of the absurd notion that she
ought to respect her father's wishes. Fretted by her letters, he was
depressed by her subsequent silence. On returning to Field Place in the
middle of May, 1811, it was a relief to him to learn that, instead of
resulting from unconcern for his misery, this silence was due to an attack
of scarlet fever. At times, during her convalescence from this illness, he
could hope faintly that even yet she would show herself worthy of his
former confidence, and not unworthy to be the wife of his incomparable
Hogg. But these passages of flickering hope closed in a renewal of his
conviction, that she was far too weak a creature for the high place and
service to which he had too hastily appointed her. There were moments
when, instead of thinking her changed for the worse, he attributed her
apparent deterioration to his own recently acquired power of perceiving
mental and moral infirmities to which he had been formerly blinded by
fraternal partiality. Possibly the sister, whom he used to adore and extol
to Hogg, had been a creature of his imagination. Obviously it was his duty
to put this view of the case before Hogg, so that so excellent a man
should not be under misconceptions, arising from a friend's
imaginativeness and delusive speech, link himself for life with an
uncongenial and miserably insufficient spouse. To Shelley it was no small
trouble that his pen was powerless to make Hogg believe, either that
Elizabeth was greatly altered, or that she had been greatly misrepresented
to him. Whilst the humorous Hogg laughed secretly at the change of
Shelley's regard for his sister, the romantic Hogg declined to think
either that she had changed for the worse, or that she had been offered in
delusive colours to his fancy. To the humorous and romantic law student,
it was clear that the change in Elizabeth was wholly referable to her
brother's changefulness, and to the lightness and activity of his
imagination. Whilst Hogg refused to be enlightened, Shelley despaired of
showing him by written words, so much less potent than speech, how 'a
change, a great and important change, had taken place in' the girl who had
been offered to him in marriage.
Public-domain text, read in full here on John Shaqi.
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