The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Under the manifold vexations and sorrows that preyed upon his feelings at
Sion House, Shelley found solace and intermissions of grief in the
perusal of blue books,--no folios of parliamentary manufacture and
information; but the little blue-covered volumes of extremely exciting and
unwholesome prose-fiction, that were to be bought at sixpence a-piece of
ordinary booksellers in the earlier decades of the present century. He was
also a greedy devourer of tales (touching haunted castles, magicians,
picturesque brigands, and mysterious murderers) that proceeded from
writers, who did not condescend to offer their productions to the public
eye, in the vulgar little 'blue books,' or in any form less acceptable to
connoisseurs of elegant literature than board-bound volumes. It is
something to the honour of prose-fiction that the two greatest poets of
the nineteenth century may be said to have been mentally suckled and
reared on novels from infancy to adult age,--taught by novels how to think
and feel, and how to make others think and feel. It is alike true of Byron
and Shelley, that the germs of much that is most delightful and admirable
in their finest poems must be sought in old novels. John Moore's _Zeluco_
was not more influential in the production of _Childe Harold_, than
_Zofloya or the Moor_ was influential in the production of _Zastrozzi_ and
_St. Irvyne_, those crude and unutterably ridiculous achievements of
Shelley's youthful pen, which, offering to their amused perusers the
feeble fancies and puerile conceits that, appearing and reappearing in
successive volumes, developed eventually into vigorous creations and
exquisite examples of poetic imagery,--exhibit also the rude notions and
embryonic reasonings, that in the course of a few years grew and shaped
themselves in the fundamental principles and main features of his
philosophy on matters pertaining to politics, social economy, and
religion.
It is a question whether the recollections of misery endured at school,
which occupy three of the familiar stanzas to 'Mary,' should be regarded
as reminiscences of trials the poet underwent at Sion House, or of sorrows
that moved him to tears at Eton. Mrs. Shelley had no doubt the stanzas
referred to the public school; and Lady Shelley is no less confident that
her father-in-law was thinking of the Eton playing-grounds, when he wrote
in the dedicatory prelude to _Laon and Cythna_:
'Thoughts of great deeds were mine, dear Friend, when first
The clouds which wrap this world from youth did pass;
I do remember well the hour which burst
My spirit's sleep: a fresh May-dawn it was,
When I walked forth upon the glittering grass,
And wept, I knew not why; until there rose
From the near schoolroom, voices, that, alas!
Were but one echo from a world of woes--
The harsh and grating strife of tyrants and of foes.
Public-domain text, read in full here on John Shaqi.
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