The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
It is certain that the little Bysshe was an unhappy child at Sion House,
even to the time of his withdrawal from the school, when he had grown
almost too tall, though certainly not too robust, to be called 'little.'
But miserable children are curiously, pathetically clever in escaping from
their misery. The smart of them over, Bysshe soon dismissed from his mind
those disagreeable visits to the Doctor's study. In the pages of his
ghost-stories and banditti-stories, his tales of satanic malice and
knightly heroism, he forgot all about those very unkind boys. Most of
those delightful books he borrowed from the circulating library, but
doubtless he had in his schoolroom 'locker' his own copies of his
favourite novels. It cannot be questioned he had a peculiar and
inalienable copy of _Zofloya, or The Moor_, which, yielding flowers of
romance to be found in the ineffably absurd novels which he published in
the opening term of his literary career, gave him also fine pieces of
descriptive writing that, after doing service in _Zastrozzi_ and _St.
Irvyne_, were worked with skilful art into the lofty song of _Laon and
Cythna_.
The urchin enjoyed his frequent walks under the playground's southern wall
with his cousin Tom Medwin, till the latter left Dr. Greenlaw's sadly
plebeian school, and went off to the public school which prepared him for
Oxford. Though he cannot rely so confidently as he could wish on Tom
Medwin's assurance, the present writer likes to imagine Mr. Medwin had
better ground than his treacherous memory for saying that, when they were
schoolfellows at Sion House, he and his young cousin more than once played
the truant; and rowing on the river more than once to Kew, went on one
occasion by water to Richmond, where they visited the theatre and saw Mrs.
Jordan in the 'Country Girl.' One would fain believe this of the little
boy who, on growing to be a man, disliked the theatre almost as cordially
as he had in former time hated Professor Sala's dancing academy.
Public-domain text, read in full here on John Shaqi.
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