The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
History
The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
At Eton, 'Old Walker' had an eager devourer of his words, a delighted
witness of his experimental demonstrations, in Mad Shelley. The lectures
had on Shelley all the effect they were designed to produce on intelligent
lads. Producing on him all the effect desired by the Professor, they were
also fruitful of results, that in the opinion of the Eton masters far
exceeded the limits of wholesome interest. It is conceivable that, had Dr.
Keate, and Mr. Bethell, and Mr. Hexter, known how the boy would be stirred
and excited by the lectures, Old Walker would not have received permission
to deliver them to the collegians, or Mad Shelley would not have been
allowed to be present at their delivery. Like many other boys before and
after his time, Mad Shelley was so taken by the lectures, that it is only
a permissible figure of speech to say, he 'went mad' on natural science.
Before Old Walker cleared out of Eton, the boy had become the owner of a
solar microscope, and bought an electrical machine of Old Walker's
assistant.
In Mr. Hexter's house the boy (_ætat._ thirteen and fourteen) had shown
more concern for English literature than for any other accessible means of
pastime,--reading works of prose (as he had done at Brentford), learning
by rote passages from the English poets, and composing childish dramas
with the assistance of a fellow-pupil and fellow-fag of the same house,
named Amos; amusing himself, in short, in accordance with his genuine and
strongest intellectual taste and ambition. One of the happiest and most
agreeable glimpses to be had of Mad Shelley in his earlier time of Eton,
affords a view of the boy, running nimbly up and down the stairs of Mr.
Hexter's house, and singing out cheerily the witches' song of _Macbeth_:--
'Double, double, toil and trouble:
Fire burn and cauldron bubble.'
Of the plays composed by the two boys nothing is known at the present
date, save that they were performed by the author before a third fag of
their house, Matthews, who was the solitary witness of the performances,
and, it may be hoped, an enthusiastically applausive one.
Public-domain text, read in full here on John Shaqi.
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