The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)Jeaffreson, John Cordy
History
The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
(9) Questions were, of course, put to Shelley respecting the light, which
enabled him to see his assailant in the act of quitting the room ‘through
a glass-door which opened into the shrubbery.’ It being a starless,
pitch-dark night (for the rain descended in torrents), Shelley, if he saw
an assailant, must have discerned him by artificial light. It is not to be
imagined that the billiard-room and little office were illuminated with
many candles, so as to give the combatants a good view of one another.
Shelley would scarcely have gone in search of nocturnal enemies with a
candle in his hand. If he took a candle into the little office, it must
surely have been extinguished soon after he entered the small chamber. The
proximity of the shrubbery outside the glass door, would not have lessened
the darkness of the room or of the space on which the glass-door opened.
What questions were put to Shelley, and what he said, about the light,
which rendered the assassin visible, does not appear.
(10) To the investigators it must have appeared strange that the assassin,
either with or without a bullet in his shoulder, returned in three hours
to make a second attempt on Shelley’s life.
(11) To the same inquisitors it must have seemed remarkable that the
assassin preluded this second essay at murder, by thrusting his arm
through the glass, and thereby smashing the window. It is unusual for
nocturnal assailants to be so noisy in their preliminary movements.
(12) Through the wetness of the ground about the house, the assassin could
not have approached the parlour window for the accomplishment of his
deadly purpose, or after the second futile attempt at murder, without
leaving clear footprints on the soaking-wet lawn. There were marks of
footsteps on the grass, to which the investigators paid particular
attention. On visiting Tremadoc and Tanyrallt in the summer of 1813, when
all the circumstances of the alleged assaults were fresh in the memory of
the people in those parts, Peacock received information, that years
afterwards caused him to write these words:--‘Persons who had examined the
premises on the following morning had found that the grass of the lawn
appeared to have been much trampled and rolled on, but there were no
footmarks on the wet ground, except between the beaten spot and the
window.’ Why was the lawn thus trampled and rolled upon at some distance
from the parlour window? To give the ground an appearance that would
accord with some account given by Shelley of his final struggle with the
assassin, other than the account given of the contention in Harriett’s
well-known letter on this subject? Who had trampled and rolled about on
the wet grass, so as to give it the appearance of having been the scene of
a struggle? Shelley? or Daniel Hill? or both of them? As there were no
footmarks on the wet ground, except between the beaten spot and the
window, it was, of course, obvious to the investigators, that the persons,
Public-domain text, read in full here on John Shaqi.
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