The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)Jeaffreson, John Cordy
History
The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
The poet, who, on the eve of Daniel Hill’s arrest in Barnstaple, wrote to
Mr. Thomas Hookham, ‘a poem is safe; the iron-souled Attorney-General
would scarcely dare to attack,’ had made considerable additions to his
knowledge of the law touching seditious and heterodox publications, and
the publication of printed papers, since those words were penned. Daniel
Hill’s punishment ‘for publishing and dispersing printed papers without
the printer’s name being on them,’ had taught Daniel Hill’s master a
lesson he took to heart. If Shelley pressed Mr. Hookham to put himself
before the world as the publisher of the poem, the bookseller declined to
afford the Attorney-General an opportunity for showing the degree of
audacity Shelley had declared impossible even in a Crown lawyer. It may be
assumed that Shelley had inquired in vain for a competent printer, brave
enough to print openly what no publisher would publish, before he
relinquished his design of publishing the poem, and decided to produce the
book for private circulation under a false imprint. Anyhow, an edition (of
250 copies) of the book (which Mr. Moxon was prosecuted for re-publishing
seven-and-twenty years later) was printed by some unknown printer at some
undiscovered press in the spring of 1813, with an untruth on its
title-page, and a repetition of the untruth on the concluding leaf.
As criticism of Shelley’s poetry does not fall within the scope of the
present work, I am silent respecting the poetical merits of _Queen Mab_;
but it is incumbent on the poet’s biographer to say something of two of
the lengthy notes appended to the performance,--notes so little known to
the admirers of Shelley’s verse, that it may be questioned whether one out
of every hundred persons who have read the poem attentively has ever
glanced at the notes. The Anti-matrimonial Note and the Atheistical Note
should be perused by all readers who would know The Real Shelley; the
former being studied in connexion with the circumstances that resulted in
his abandonment of his first wife; and the latter being studied in
connexion with the evidence that, instead of being a mere syllabus of
reasonings put together for the convenience of scholastic disputants (as
Hogg and Lady Shelley declare it to have been), or the mere squib (which
Mr. Garnett would have us think it), _The Necessity of Atheism_ was a
serious exposition of certain of the author’s views on matters pertaining
to religion.
Public-domain text, read in full here on John Shaqi.
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