The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)Jeaffreson, John Cordy
History
The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Though I cannot speak positively on the point, I have little doubt that
Mrs. Boinville’s was the house where Shelley, during this same London
season of 1813, caused much commotion by passing down a line of charming
young ladies (who were ranged on one side of the drawing-room for the
country dance), and closely examining the skin of each of the astonished
but unresisting damsels. It was not enough for Shelley to put his eyes
within a few inches of each young lady’s unconcealed developments, so as
to get the closest and clearest view of her neck, shoulders, and bosom. To
effect his purpose it was requisite to examine the parts, in which he was
greatly interested, by touch as well as by sight. It was not till, with
the look and air of a concern no less reverential than pitiful, he had
pressed and otherwise felt the skin of several necks, bosoms, and pairs of
shoulders, that the hostess, on seeing what he was about, caused him to
desist from his too intrusive observations, by assuring him with proper
earnestness and gravity, that no one of the lovely damsels standing before
him was suffering from elephantiasis.
For some days Shelley had been afflicted by a fancy that he had caught
that rare and terrible disease from an old woman, whom he had met in a
stage-coach, and for the preposterous magnitude of whose ankles he could
account only by assuming that she was afflicted with elephantiasis in the
legs. In vain was he assured by the doctors, whom he consulted on the
subject, that he had not caught elephantiasis, and that, had the old woman
been a sufferer from the disease in the degree he imagined, she could not
have endured the motion of the stage-coach. No doctor, no number of
conspiring doctors, could persuade him he had not caught elephantiasis, or
make him believe the signs of disease, so easily caught, could not be
detected in the skin of persons unaware of their deplorable condition. To
prove himself right on the first point, he was ever and again scrutinizing
his own skin. To show he was right on the second point, he seized every
opportunity of examining the skin of other people. Hence the extraordinary
examination of the young ladies, who, in their confidence in the rectitude
and innocency of his purpose, were willing to allow him any license
requisite for the completion of his inquiries.
Apocryphal biography requires us to believe that Shelley met another
disagreeable old woman in a stage-coach,--the old lady whom he at the same
time drove out of the carriage and her wits, by seating himself on the
floor of the vehicle, and ejaculating with passionate pathos--
‘For heaven’s sake, let us sit upon the ground,
And tell sad stories of the death of kings!
How some have been deposed, some slain in war,
Some haunted by the ghosts they have deposed,
Some poisoned by their wives, some sleeping killed;
All murdered.’
Public-domain text, read in full here on John Shaqi.
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