The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)Jeaffreson, John Cordy
History
The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
One of the noteworthy facts connected with Shelley’s journey in the autumn
of 1813 to the Cumberland lakes, and Edinburgh, is that he made the trip
in his own carriage drawn by post horses,--the costliest way of travelling
seventy years since. In London he could get horses from a livery-stable on
credit; but for post-horses taken for the stage, ‘the immediate heir to
one of the first fortunes of England’ must have paid at once. As Peacock
was at that time a poor man of letters he cannot be supposed to have
contributed anything towards the cost of the journey, though he possibly
paid his own hotel-bills. The charges of the trip must have fallen
chiefly, if not altogether, on Shelley,--the young gentleman who, at this
term of his career, is represented as wearing furbished-up clothes,
because he could not afford to buy new ones. Mr. Medwin, of Horsham, could
probably have told how his youthful client obtained the money that enabled
him to execute this feat of prodigality.
Before the present narrative deals with incidents of 1814 notice should be
taken of a trivial literary performance, and a piece of important literary
labour, that pertain to the record of the year in which the poet attained
his majority. Reprinting the Vegetarian Note to _Queen Mab_, with a few
alterations and additions of no moment, he published it in the form of a
tract that was offered for sale by a medical bookseller at eighteen pence
a copy; the date of publication being subsequent to the secret issue of
the poem. To the later months of the same year may also be attributed the
labour of writing the _Refutation of Deism_, which is believed to have
been published (at least in the _legal_ sense of the term) at the
beginning of 1814,--the year given on the title-page.
CHAPTER VIII.
FROM THE OLD TO THE NEW LOVE.
Public-domain text, read in full here on John Shaqi.
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