The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)Jeaffreson, John Cordy
History
The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
waiting.’ Godwin’s absence had defeated the poet’s plan for getting a long
‘lover’s interview’ with his heart’s idol, whilst Godwin should be talking
with Hogg. Had the poet passed Hogg with a nod in Cheapside, he would have
had the desired interview with Mary in her father’s absence. As it was, he
had allowed Hogg to discover an interesting secret. Under the
circumstances, Shelley saw that his only chance of keeping the truth from
the vigilant and humorous Hogg required him to continue the walk towards
Gray’s Inn, as though he had dropt in at the Juvenile Library, solely for
the purpose of seeing Mary’s father.
‘Who is she?--a daughter?’ Hogg inquired of Shelley, as they walked to the
West.
‘Yes.’
‘A daughter of William Godwin?’
‘The daughter,’ replied Shelley, ‘of Godwin and Mary.’
The brief answer was enough for Hogg. The whole position had been revealed
to Hogg, who, on his westward way at his friend’s side, may be presumed to
have debated, in a breast by no means devoid of trouble, how much and how
little Harriett knew or suspected of what was going on in Skinner Street.
On some day of June, possibly preceding, but more probably following at a
brief interval the day of Hogg’s first brief glimpse of Mary Godwin’s
beauty, Shelley gave the girl the well-known verses, ‘Mine eyes were dim
with tears unshed;’ the verses with the concluding stanza:--
‘Gentle and good and mild thou art,
Nor can I live if thou appear
Aught but thyself, or turn thine heart
Away from me, _or stoop to wear
The mask of scorn, although it be
To hide the love thou feel’st for me_.’
Though an attempt has been made to force another meaning on the lines here
printed in italics, few readers will decline to regard them as pointing to
the deception which Mary Godwin was practising at this time, in order to
conceal from her family that Shelley regarded her with passion to which
she responded. The blame provoked by the deceitfulness of the girl, who
veiled her affection for the poet from observers in Skinner Street with an
air and tone of scorn, should, of course, be given to the man who had won
her heart, rather than to the child, who had recourse to artifice in his
interest and her own. In other respects, also, the blame of a miserable
business should be awarded to the married man, rather than the girl who
was just five years his junior. She may be wholly acquitted, she is not to
be suspected, of deliberately luring Shelley from his wife, and
supplanting her in his affections. It should not be questioned that he
made all the overtures and advances to Mary; and that he found it very
difficult to persuade her to fly with him. It would have been strange had
he found her an easy conquest; for (notwithstanding all that has been
urged to the contrary) it is certain that she had been reared within the
lines of conventional decorum and orthodoxy.
Public-domain text, read in full here on John Shaqi.
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