The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)Jeaffreson, John Cordy
History
The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
It is, however, certain that Mary Godwin heard much about her mother from
Shelley’s lips in 1814. The subject, in respect to which Godwin had been
wisely reticent to his child, Shelley did not hesitate to use for the
accomplishment of his purpose. No one knew better than Shelley, that his
familiar friend and benefactor had long since ceased to approve the Free
Contract. No one knew better than Shelley, how careful his familiar friend
had been to withhold from his only daughter those particulars of her
mother’s career that, on being communicated to her, might dispose the
imaginative, generous, fearless, too self-dependent child to adopt her
mother’s earlier views about marriage. At the same time Shelley saw that,
to break down the girl’s reverence for marriage and thereby remove the
grand obstacle to his designs upon her, his best course was to enlighten
the sixteen-years-old girl on those points of her domestic story, which
her father was especially desirous to keep from her knowledge. It is
needless to say that the young man, who had illuminated, or tried to
illuminate, so many girls of tender age out of the views in which they had
been educated, was not withheld from illuminating Mary out of her
superstitious reverence for marriage by any weak sentiment of loyalty to
his familiar friend,--the friend whom he was in the habit of styling his
greatest benefactor.
As the Skinner-Street house, notwithstanding the hospitable freedom
accorded to him within its walls, was no place where he could urge his
suit to Mary and teach her to approve the Free Contract, it appeared well
to Shelley, in his strength, to make appointments for private interviews
with Mary at her mother’s grave in Old St. Pancras churchyard, and well to
the sixteen-years-old Mary, in her weakness and romantic silliness, to
meet him there. Old St. Pancras churchyard was a comparatively secluded
place, and Mr. Kegan Paul is careful to record that ‘Mary Wollstonecraft’s
grave was shaded by a fine weeping willow.’ I cannot see that the
character and magnitude of the tree over Mary Wollstonecraft’s grave ought
to affect the reader’s judgment of what took place under it in the warm
days of June and July, 1814. But Mr. Kegan Paul seems to think otherwise;
and as I wish to handle this matter with a liberal regard for all
extenuating circumstances, I beg my readers to bear in mind that Mary
Wollstonecraft’s grave was shaded by a fine weeping willow.
Public-domain text, read in full here on John Shaqi.
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