The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)Jeaffreson, John Cordy
History
The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Both girls were hot-tempered, peevish, and resentful, as well as
vehemently affectionate; Mary animated with the fervour and captiousness
of her mother’s stock, whilst Claire was as impetuous and unruly as any
girl of southern blood ripened by southern suns. Both girls were
quick-witted, imaginative, and ambitious. Reared during their earlier
childhood in Somers Town, discovered by Shelley in the rooms over the
Skinner-Street shop, they were both fashioned to make a figure in the
world; and even in the nursery, where Shelley may be said to have found
them, they conceived the design of making themselves personages of
celebrity. Slovens so long as they were poor, they developed a taste for
dress and personal display as soon as they were rich enough to wear silk
and velvet. Under favourable circumstances (never granted to either of
them) Mary would have developed into a good and greatly useful woman;
Claire into a generous and powerful, though possibly mischievous, woman.
Under such circumstances, Mary would have been precisely conscientious and
as truthful as sunshine (which she certainly was not in her later time),
but Claire would all the same have been something of a schemer and an
_intriguante_, and have valued propitious fortune chiefly on account of
the greater power it afforded her for playing with men and women, as
though they were mere cards and counters. Each of these girls, predestined
to embittering disappointment by the malicious fate that for a brief hour
stirred them both with a sense of dazzling success, numbered amongst their
social endowments a degree of colloquial piquancy and conversational
address that, in the absence of all her other natural excellencies, would
have given her the advantage over ordinary women. Whilst Mary’s sparkling
gossip sometimes smiled with humour (according to Thackeray a rare faculty
in woman), Claire’s higher raillery smacked of the satire that, under the
spur of anger, rolled in torrents of scornful irony from her writhing
lips. The time was coming when Byron whitened and trembled under her
scathing sarcasm. But Claire’s voice was made for better work than cruel
speech. Music was her chief accomplishment; and whilst figuring creditably
amongst professional performers as an instrumentalist, she only just
missed the vocal excellence that would have enabled her to achieve her
ambition to be an operatic singer. That she became so bright and vivid a
force in Florentine drawing-rooms during Shelley’s later years, and after
his death, was in no small degree owing to his admiration of her noble
voice, and the care he took to provide her with good musical instruction
whilst she lived with him and Mary at Marlow and in Italy.
Public-domain text, read in full here on John Shaqi.
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