The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)Jeaffreson, John Cordy
History
The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
There was an inquest, with the verdict ‘Found dead.’ This was the end of
Fanny, who, after leaving London on the 7th instant, for a visit to her
aunts, Mrs. Bishop and Everina Wollstonecraft, perished by her own act at
the Swansea tavern. A good, gentle, interesting girl, Fanny inherited all
her mother’s early affectionateness and generosity, without acquiring from
the same source the vehemence and asperity that were amongst the chief
faults of her mother’s temper. But, together with exemption from the
fervour and fierceness of her mother’s nature, Fanny was not so fortunate
as to enjoy exemption from its morbid sensibility. Together with a full
share of the Wollstonecraft sensitiveness, she derived from the
Wollstonecrafts the disposition to melancholy, that qualified her to do in
mild resoluteness what her mother essayed in tempestuous rage.
To account for this desperate act, the reviewer of the poor girl’s career
is not driven to adopt Claire’s explanation of the tragedy. Several
circumstances, distinct from her regard for Shelley, had combined to
trouble her profoundly during the closing term of her existence. It was
natural for her to brood over the melancholy facts of her mother’s story,
which came to her knowledge, directly or indirectly, through the same
channel that made them known to Mary and Claire. Her half-sister’s flight
with Shelley would, under any circumstances, have caused her the keenest
mental torture; but the anguish it caused her heart and soul was the
sharper to so loving and sympathetic a creature, because of the grief,
coming in different ways and degrees, to William Godwin (whom she loved)
and his wife (with whom she lived harmoniously) from the date of the event
which, violently wrenching asunder so many domestic ties, had broken up
the home in Skinner Street,--though the mere shell of the old home, from
which familiar joy had been driven for ever, was still maintained under
conditions of deepening gloom and anxiety. No wonder the poor girl found
the sorrows of her existence too heavy for endurance. Let it not, however,
be imagined that she yielded to despair without brave efforts to conquer
it. Whilst so many writers have used their ingenuity and skill in
colouring Mary Godwin into a heroine, and varnishing her submission to
Shelley’s suit into a romantic love-story, how little has been said in
honour of poor Fanny--the true heroine!--who, hiding her sorrow as she
best could from the old man (who had been a good father to her), and from
the woman (who had been a good mother to her) strove to comfort their
grief and shame, whilst the heart in her own breast was slowly breaking.
Public-domain text, read in full here on John Shaqi.
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