Alexandra, Empress, consort of Nicholas II, Emperor of Russia, 1872-1918
Whilst she was gathering together her personal treasures, the Empress,
recalled in imagination to Petrograd, by the sight of a photograph,
asked me to telephone to Prince Ratief, the Commandant of the Winter
Palace, and tell him that her thoughts were with them all. Fortunately I
was enabled to do so; the Prince himself answered my call. “I thank Her
Majesty from my heart. We are still alive, but crowds surround the
Palace,” he said.
After dinner, we went to see the Grand Duchesses, and then to the mauve
boudoir--there was no news from the Emperor; all sorts of rumours were
current, the most insistent being that he had returned to G.H.Q.
Sunday, the 5th of March, was for us another hopeless dawn. The Empress
gave orders for a Te Deum to be sung, and the miraculous ikon from
Znaminie[3] brought to the Palace and taken to the sick-rooms. The
procession bearing the ikon passed through the Palace; the Empress
walked in it, and, as I looked at the lovely representation of the
Virgin and Child, the expression of the eyes seemed the same which I had
often seen in those of the Empress--a combination of Faith, Hope and
Tragedy!
It was a strange sight to witness the solemn little procession as it
traversed the almost deserted splendours of the Palace. Incense wafted
wreaths of perfume towards Heaven, the solemn chant rose and fell, the
gold and blues of the Virgin’s draperies glowed when the ikon passed one
of the windows, the sacred symbol of the Cross raised its head above
the tumult of Revolution. It seemed to me as if this were some last
appeal to God, Who, we are told, is a God of Love and Pity.
The Empress was anxious that the ikon should be taken to Anna’s room, so
the procession wended its way thither. There, as usual, were the fuss
and overcrowding which seemed inseparable from Anna’s attack of measles;
doctors, nurses and sisters took up all the available space, so, whilst
the Empress was praying by the bedside, I stood by the door. One of the
doctors from Anna’s hospital was near, and, recognising me, he
whispered: “I say, Madame Dehn, I think I shall say good-bye to the
Palace. Things are getting too hot for _my_ comfort.” But, if he
expected an answer, he received _none_. I simply stared at him.
The Empress was still kneeling by Anna’s bed, and Anna, now thoroughly
hysterical and _exaltée_ by reason of much incense and many prayers, was
crying and kissing the Empress’s folded hands. It is quite impossible
for English readers to imagine such a scene, but these religious
processions in the case of illness were of common occurrence with us.
I went back to see Anna later in the evening, and, when I entered the
bedroom, I was surprised to see the matron of Anna’s hospital, who was
praying--a taper in her hand. Directly she saw me, her prayers took unto
themselves wings; we had always disliked each other, so our conversation
was short and to the point.
“What, are _you_ still here?” she exclaimed, meaningly.
Public-domain text, read in full here on John Shaqi.
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