So it fell about that without any apparent or pointed detachment from
her other guests Lady Ethelrida was able to sit in one of the embrasures
of the windows in, the picture gallery, whither the party had migrated
to-night, and talk to her interesting new friend--for that he was growing
into a friend she felt. He seemed so wonderfully understanding, and was
so quiet and subtle and undemonstrative, and, underneath, you could feel
his power and strength.
It had been his insidious suggestion, spread among the company, which
had caused them to be in the picture gallery to-night, instead of in one
of the great drawing-rooms. For in a very long narrow room it was much
easier to separate people, he felt.
"Of course this was not built at the time the house was, in about 1670,"
Lady Ethelrida said. "It was added by the second Duke, who was
Ambassador to Versailles in the time of Louis XV, and who thought he
would like a 'galérie des glaces' in imitation of the one there. And
then, when the walls were up, he died, and it was not decorated until
thirty-five years later, in the Regent's time, and it was turned into a
picture gallery then."
"People's brands of individuality in their houses are so interesting,"
Francis Markrute said. "I believe Wrayth is a series of human fancies,
from the Norman Castle upwards, is it not? I have never been there."
"Oh! Wrayth is much more interesting than this," she answered. "Parts of
it are so wonderfully old; there are stone floors in the upper rooms in
one of the inner courtyards. They did not suffer, you see, from the
hateful Puritans, because the then Tancred was only an infant when the
civil war began; and his mother was a Frenchwoman, and they stayed in
France all the time, and only came back when Charles II returned. He
married a Frenchwoman, too. She was a wonderful person and improved many
things. Wrayth has two long galleries and a chapel of Henry the
Seventh's time, and numbers of staircases in unexpected places, and then
a fine suite of state rooms, built on by Adam, and then the most awful
Early-Victorian imitation Gothic wing and porch which one of those
dreadful people, who spoilt such numbers of places, added in 1850."
"It sounds wonderful," said the financier.
"Lots of it is very shabby, of course, because Tristram's father was
always very hard up; and nothing much had been done either in the
grandfather's time--except the horrible wing. But with enough money to
get it right again, I cannot imagine anything more lovely than it could
be."
"It will be a great amusement to them in the coming year to do it all,
then. Zara has the most beautiful taste, Lady Ethelrida. When you know
her better I think you will like my niece."
Public-domain text, read in full here on John Shaqi.
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