"Yes," said Ethelrida, "only let us make up the fire first, and only
turn on that one soft light," and she pointed to a big gray china owl
who carried a simple shade of white painted with lilacs on his back.
"Then we need not move again, because I want extremely to hear it--the
history of a man."
He obeyed her commands, and also drew the silk blinds.
"Now, indeed, we are happy; at least, I am," he said.
Lady Ethelrida leant back on her muslin embroidered cushion and prepared
herself to listen with a rapt face.
Francis Markrute stood by the fire for a while, and began from there:
"You must go right back with me to early days, Sweet Lady," he said, "to
a palace in a gloomy city and to an artiste--a ballet-dancer--but at the
same time a great _musicienne_ and a good and beautiful woman, a woman
with red, splendid hair, like my niece. There she lived in a palace in
this city, away from the world with her two children; an Emperor was her
lover and her children's father; and they all four were happy as the day
was long. The children were a boy and a girl, and presently they began
to grow up, and the boy began to think about life and to reason things
out with himself. He had, perhaps, inherited this faculty from his
grandfather, on his mother's side, who was a celebrated poet and
philosopher and a Spanish Jew. So his mother, the beautiful dancer, was
half Jewess, and, from her mother again, half Spanish noble; for this
philosopher had eloped with the daughter of a Spanish grandee, and she
was erased from the roll. I go back this far not to weary you, but that
you may understand what forces in race had to do with the boy's
character. The daughter again of this pair became an artist and a
dancer, and being a highly educated, as well as a superbly beautiful
woman--a woman with all Zara's charm and infinitely more chiseled
features--she won the devoted love of the Emperor of the country in
which they lived. I will not go into the moral aspect of the affair. A
great love recks not of moral aspects. Sufficient to say, they were
ideally happy while the beautiful dancer lived. She died when the boy
was about fifteen, to his great and abiding grief. His sister, who was a
year or two younger than he, was then all he had to love, because
political and social reasons in that country made it very difficult,
about this time, for him often to see his father, the Emperor.
Public-domain text, read in full here on John Shaqi.
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