The Rebellion in the Cevennes, an Historical Novel. Vol. II.Tieck, Ludwig
History
The Rebellion in the Cevennes, an Historical Novel. Vol. II.
Tieck, Ludwig
France -- History -- Insurrection of the Camisards, 1702-1710 -- Fiction; German fiction -- Translations into English; Historical fiction
"I have already asked him this morning, then he laughed out quite loud,
what I had never seen him do before, but afterwards he became quite
grave again, sighed, and kissed me on the forehead. That I think is
quite answer enough."
In the little garden under the trellaced bower, they found Godfred and
the tall Dubois sitting at the oaken table; the wife was busy in the
kitchen. They sat down by them both; the musician was at that moment in
the midst of a lively performance. "Do you hear, gossip," cried he,
"the sound when I press and keep it down, do you know what that means?"
"Yes," said Godfrey, "it is pretty enough." "Well, attend," said
Dubois, "how I now pass over and strike the quaver, which afterwards
quivers in the deep tones, and how in the mean while my hand works here
in the bass. You now understand this many-voiced composition? Listen!
see, that is what I call fundamental composition."
"Yes, it is pretty," said Godfred--"he can now move all his paws."
"Do not think of your stupid dog," exclaimed Dubois, "you will not
often be so fortunate as to hear a sonata of Lulli. Collect your
thoughts well together. Hist! now we are passing over suddenly to the
flats? St! do you hear? Ah! the passage is exquisite."
"He must eat a rice mess this evening," said Godfred.
"Can you endure music, Peter Florval?" cried the musician, eagerly
addressing the State Counsellor; "Many nerves are unable to support it.
Now we are coming to the conclusion. Forte! forte! bound! continue!
what do you think? Ah, now comes, the most difficult passage. That is a
composition that requires fingering and skill. It flies right and left.
Now I play over with my right hand in the bass, now the into the
treble. See, now I work away crossing hands; now with all ten fingers!
and again! and again! I need indeed take my elbows to help. Over, over!
dispatch! Ah, it is admirably written. Do you not think so, gossip?"
"At first though he must only be allowed to run with caution," said
Godfred.
"Still those doggish vagaries?" said Dubois, sullenly, "banish, I pray,
those four-legged thoughts from your mind, and for once live entirely
for art."
"I must afterwards though cut the divining-rod," said Godfred in a loud
voice to himself.
"Stop!" cried the long musician, as he jumped up, "you here remind me
of a thought, I have wished for some time to impart to you. Do you know
what to do with such things?"
"So, so," said Godfred, "I discovered my well for myself by means of
it, and thus served several neighbours."
"And treasures!" cried Dubois.
"Water," said the surgeon, "is sufficiently precious; I have never
attempted anything else."
Public-domain text, read in full here on John Shaqi.
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