Mid-July found him, in effect, the master where he had been the poor
relation; the rich uncle gone forever from earthly affairs; a dominant
aunt still ruling--so she fancied--as she had always ruled, but with the
consciousness of her first defeated purpose rankling bitterly within
her. It found Eugene still in love with the same beautiful, wilful girl,
but far from any assurance of being a really accepted lover. It found
him insensibly forgetting the aspirations of a lifetime and beginning,
little by little, to grasp after the Egyptian flesh-pots. Life was fast
becoming a round of easy days, whose routine duties were more than
compensated by its charming domestic settings. The one unsatisfied
desire was for the presence of the bright, inspiring girl who had left a
void when she went away, for whose return all "Eden" was waiting.
The swift course of events had created other changes. Some growths are
slow, and some amazingly swift, depending upon the nature of the
life-germ in the seed and the soil of the planting. In Eugene Wellington
the love of beauty found its comfort in his present planting. It was
easier to stay where beauty was ready-made than to go out and create it
in some less lovely surroundings. Combine with this artistic temperament
an inherent lack of initiative and courage, a less resistant force, and
the product is sure. Moreover, this very falling away from the incentive
to artistic endeavor exacted its penalty in a dulled spirituality.
Whoever denies the allegiance due, in however small a measure, to the
call of art within him pays always the same price--a pound of tender
bleeding flesh nearest his heart. For Eugene Wellington the Shylock
knife was sharpening itself.
This July afternoon there were no misgivings in his soul, however--no
black shadows of failure ahead. All the serpents of "Eden" were very
good little snakes indeed. After a while he would paint again,
leisurely, exquisitely; especially would he paint when Jerry came home.
Public-domain text, read in full here on John Shaqi.
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