The words of the prophetess came true. She was taken to Niyavaran, and publicly but gently asked, 'Are you a Bābī?' She answered what she had said that she would answer in such a case. She was taken back to Tihran. Her martyrdom took place in the citadel. She was placed upon a heap of that coarse straw which is used to increase the bulk of woollen and felt carpets. But before setting fire to this, the executioners stifled her with rags, so that the flames only devoured her dead body. An account is also given in the London manuscript of the _New History_, but as the Mirza suffered in the same persecution as the heroine, we must suppose that it was inserted by the editor. It is very short. 'For some while she was in the house of Maḥmūd Khan, the Kalantar, where she exhorted and counselled the women of the household, till one day she went to the bath, whence she returned in white garments, saying, "To-morrow they will kill me." Next day the executioner came and took her to the Nigaristan. As she would not suffer them to remove the veil from her face (though they repeatedly sought to do so) they applied the bow-string, and thus compassed her martyrdom. Then they cast her holy body into a well in the garden. [Footnote: _NH_, pp. 283 _f_.] My own impression is that a legend early began to gather round the sacred form of Her Highness the Pure. Retracing his recollections even Dr. Polak mixes up truth and fiction, and has in his mind's eye something like the scene conjured up by Count Gobineau in his description of the persecution of Tihran:-- 'On vit s'avancer, entre les bourreaux, des enfants et des femmes, les chairs ouvertes sur tout le corps, avec des mèches allumées flambantes fichées dans les blessures.' Looking back on the short career of Ḳurratu'l 'Ayn, one is chiefly struck by her fiery enthusiasm and by her absolute unworldliness. This world was, in fact, to her, as it was said to be to Ḳuddus, a mere handful of dust. She was also an eloquent speaker and experienced in the intricate measures of Persian poetry. One of her few poems which have thus far been made known is of special interest, because of the belief which it expresses in the divine-human character of some one (here called Lord), whose claims, when once adduced, would receive general recognition. Who was this Personage? It appears that Ḳurratu'l 'Ayn thought Him slow in bringing forward these claims. Is there any one who can be thought of but Baha-'ullah? The Bahaite tradition confidently answers in the negative. Baha-'ullah, it declares, exercised great influence on the second stage of the heroine's development, and Ḳurratu'l 'Ayn was one of those who had pressed forward into the innermost sanctum of the Bāb's disclosures. She was aware that 'The Splendour of God' was 'He whom God would manifest.' The words of the poem, in Prof. Browne's translation, refer, not to Ezel, but to his brother Baha-'ullah. They are in _TN_, p. 315.