It is true, the sanitary condition of the city improved, so that Bahaites from all parts visited Akka as a holy city. Similar associations belong to Ḥaifa, so long the residence of the saintly son of a saintly father. If there has been any prophet in recent times, it is to Baha-'ullah that we must go. Pretenders like Ṣubḥ-i-Ezel and Muḥammad are quickly unmasked. Character is the final judge. Baha-'ullah was a man of the highest class--that of prophets. But he was free from the last infirmity of noble minds, and would certainly not have separated himself from others. He would have understood the saying, 'Would God all the Lord's people were prophets.' What he does say, however, is just as fine, 'I do not desire lordship over others; I desire all men to be even as I am.' He spent his later years in delivering his message, and setting forth the ideals and laws of the New Jerusalem. In 1892 he passed within the veil. PART III BIOGRAPHICAL AND HISTORICAL (continued) ṢUBḤ-I-EZEL (OR AZAL) 'He is a scion of one of the noble families of Persia. His father was accomplished, wealthy, and much respected, and enjoyed the high consideration of the King and nobles of Persia. His mother died when he was a child. His father thereupon entrusted him to the keeping of his honourable spouse, [Footnote: _NH_, pp. 374 _ff_.] saying, "Do you take care of this child, and see that your handmaids attend to him properly."' This 'honourable spouse' is, in the context, called 'the concubine'--apparently a second wife is meant. At any rate her son was no less honoured than if he had been the son of the chief or favourite wife; he was named Ḥuseyn 'Ali, and his young half-brother was named Yaḥya. According to Mirza Jani, the account which the history contains was given him by Mirza Ḥuseyn 'Ali's half-brother, who represents that the later kindness of his own mother to the young child Yaḥya was owing to a prophetic dream which she had, and in which the Apostle of God and the King of Saintship figured as the child's protectors. Evidently this part of the narrative is imaginative, and possibly it is the work of Mirza Jani. But there is no reason to doubt that what follows is based more or less on facts derived from Mirza Ḥuseyn 'Ali. 'I busied myself,' says the latter, 'with the instruction of [Yaḥya]. The signs of his natural excellence and goodness of disposition were apparent in the mirror of his being. He ever loved gravity of demeanour, silence, courtesy, and modesty, avoiding the society of other children and their behaviour. I did not, however, know that he would become the possessor of [so high] a station. He studied Persian, but made little progress in Arabic. He wrote a good _nasta'lik_ hand, and was very fond of the poems of the mystics.' The facts may be decked out.