The Record of Nicholas Freydon: An AutobiographyDawson, A. J. (Alec John)
General
The Record of Nicholas Freydon: An Autobiography
Dawson, A. J. (Alec John)
Fiction
Seen in his own chosen setting, he was the most magnificent person I
had met. Aestheticism of a pronounced sort was becoming the fashion of
the day in London; and, as I presently found, Mr. Rawlence followed
the fashions of London and Paris closely. Indeed, I gathered that at
one time he had settled down, determined to live and to end his days
in one or other of those Old World capitals. But after a year divided
between them, he had returned to Sydney, and gradually formed his
Macquarie Street home and social connections. No doubt he was a more
important figure there than he would have been in Europe. His private
income made him easily independent of earnings artistic or otherwise.
I apprehend he lived at the rate of about a thousand pounds a year, or
a little more, which meant a good deal in Sydney in those days. I
remember being told at one time that he did not earn fifty pounds in a
year as a painter; but, of course, I could not answer for that.
I think he derived his greatest satisfactions from the society of
young aspirants in art, literature, and journalism; and I incline to
think it was more to please and interest, to serve and to impress
these neophytes, than from any inclination of his own, that he also
assiduously cultivated the society of a few maturer men who were
definitely placed in the Sydney world as artists, writers, editors,
and so forth. But such conclusions came to me gradually, of course. I
had not thought of them during that delightfully exciting experience--my
first visit to the Macquarie Street studio.
The simple little dinner was for me a thrilling episode. The deft-handed
Chinaman hovering behind our chairs, the softly shaded table-lights, the
wine in tall, fantastically shaped Bohemian glasses, the
very food--all unfamiliar, and therefore fascinating: olives, smoked
salmon--to which I helped myself largely, believing it to be sliced
tomato--a cold bird of sorts, no slices of bread but little rolls in
place of them, no tea, and no dishes ever seen in Mrs. Gabbitas's
kitchen, or at my North Shore lodging. And then the figure of my host,
lounging at table in the rosy light, a cigarette between the shapely
fingers of his right hand--I had not before seen any one smoke at the
dinner-table--his brown velvet coat, his languidly graceful gestures,
the delicate hue of his flowing neck-tie, the costly sort of
negligence of his whole dress and deportment--all these trifling
matters were alike rare and exquisite in my eyes.
Public-domain text, read in full here on John Shaqi.
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