It is rather a matter of regret with me now that I never kept a diary. Mine has been upon the whole a somewhat lonely life, and lonely men often do keep diaries. But, in my case, I suppose writing was too much the daily business of life to permit of leisure being given to the same task. However, the dates of certain volumes of short stories, which appeared long ago with my name upon their covers, are for me evidence that, after the first six months of my stay in Howard Street, my work began to tend more and more towards fiction, and away from newspaper articles. My dealings at this time brought me more closely into touch with magazines than with newspapers. I became more concerned with human emotions and character, but especially with emotions, than with those more abstract or again more matter-of-fact themes which had served me in the writing of newspaper articles. This may have helped me in some ways, since it meant that my name was fairly frequently seen in print now. But the point I have in mind is, that I take this tendency in my work to have been an indication of the particular phase of character development through which I was passing at the time. It was at this period that I indulged myself in occasional dreams of fame. I do not know that my conceit made me offensive in any way. I hardly think it went so far. But, in my inmost heart, I believe I judged myself to be a creative artist of note. I certainly had a lively imagination, a good deal of fluency--too much, indeed--as a writer, and a considerable amount of emotional capacity and sympathy. Later in life I often wondered, not without depression, why I no longer seemed able to move people, to influence them in a given direction, or to arouse their enthusiasm, with the same facility which I had known in my twenties. I see now the reasons of this. My emotional capacity spent itself rapidly in writing and living; and with its exhaustion (and the development of my critical faculties) came an attenuation, a drying up, so to say, of the quality of facile emotional sympathy, which in earlier years had made it easy for me to attract, prepossess, or influence people at will. Given some practical organising qualities which I certainly did not possess, I apprehend that at this period I might have engineered myself into a considerable vogue of popularity as a writer of fiction. A little later I might almost have slid into the same position, even in the absence of the practical qualities aforesaid, but for the trend of circumstances which then became highly antagonistic to that sort of development.