The Record of Nicholas Freydon: An AutobiographyDawson, A. J. (Alec John)
General
The Record of Nicholas Freydon: An Autobiography
Dawson, A. J. (Alec John)
Fiction
We had not been there for a month, but he remembered; and, on the
instant, I recalled our last visit--the beginning of one of our fresh
starts. And this was the end of it. Well!
Suddenly I found myself reaching for my hat.
'No,' I said, 'madam is late. I will go and look for her.' And out I
went. In that moment I had seen pictures: Fanny, before our marriage,
on her knees at my hearth in the room in Howard Street; in her
dove-coloured frock on our marriage night, clinging to my arm when
she was fresh from the excitement of leaving Howard Street. There were
other scenes. What an immature and helpless child she was! And how
much help had I given her? After all, food and clothing and so forth,
freedom from tyranny--well, these were not everything. She needed more
intimate care and guidance. The responsibility was mine.
In the end I went to a shop and bought the materials for a meal, even
as on an evening which seemed very long ago, when I had given her
supper in my bedroom. Only, on this occasion, with a sigh which
contained considerable self-reproach, I omitted Burgundy, or any
equivalent thereto. We had the wherewithal for brewing tea in our
rooms. And so, carrying a supper for us both, I returned to the
lodging. And there was Fanny on her knees before the hearth in the
sitting-room, just as she had been on that previous occasion. And now
she was crying. Her nerveless fingers held no brush. The hearth was
far from speckless, and the grate held only dead grey ashes, and some
scraps of torn paper--my own wasted manuscript.
Fanny was weeping, weakly and quietly. She knew, then. She had not
forgotten that I had seen her. But her hair had been brushed. She wore
a different gown. She looked shrinkingly and fearfully up at me as I
came in.
'You better, little woman?' I said as I began to put down my parcels.
I had tried hard to make the words sound careless and normal,
kindly and cheerful. But I thought as I heard them that a man with a
quinsy might have managed a better tone.
In another moment she was clinging to me somehow, without having risen
to her feet, and sobbing out an incoherent expression of her penitence
and shame. I was tremendously moved. And, while seeking to console
her, my real sympathy for this sobbing child was shot through and
illumined by the most fatuous sort of optimism.
'I've been making a tragedy out of a disagreeable mishap,' I told
myself. 'She is only a child who has made herself ill. The thing won't
happen again, one may be sure. This is a lesson she will never forget.
No one could possibly mistake the genuineness of all this.' By which I
meant her heaving shoulders, streaming eyes, and penitent
self-abasement.
Public-domain text, read in full here on John Shaqi.
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