The Red and the Black: A Chronicle of 1830Stendhal
General
The Red and the Black: A Chronicle of 1830
Stendhal
Ambition -- Fiction; Bildungsromans; Church and state -- Fiction; France -- Fiction; Young men -- France -- Fiction
Finally he made up his mind to ring. The noise of the bell reverberated
as though through a solitude. At the end of ten minutes a pale man,
clothed in black, came and opened the door. Julien looked at him, and
immediately lowered his eyes. This porter had a singular physiognomy.
The green projecting pupils of his eyes were as round as those of a
cat. The straight lines of his eyebrows betokened the impossibility of
any sympathy. His thin lips came round in a semicircle over projecting
teeth. None the less, his physiognomy did not so much betoken crime
as rather that perfect callousness which is so much more terrifying
to the young. The one sentiment which Julien's rapid gaze surmised in
this long and devout face was a profound contempt for every topic of
conversation which did not deal with things celestial. Julien raised
his eyes with an effort, and in a voice rendered quavering by the
beating of his heart explained that he desired to speak to M. Pirard,
the director of the Seminary. Without saying a word the man in black
signed to him to follow. They ascended two stories by a large staircase
with a wooden rail, whose warped stairs inclined to the side opposite
the wall, and seemed on the point of falling. A little door with a
big cemetery cross of white wood painted black at the top was opened
with difficulty, and the porter made him enter a dark low room, whose
whitewashed walls were decorated with two big pictures blackened by
age. In this room Julien was left alone. He was overwhelmed. His heart
was beating violently. He would have been happy to have ventured to
cry. A silence of death reigned over the whole house.
At the end of a quarter of an hour, which seemed a whole day to him,
the sinister looking porter reappeared on the threshold of a door at
the other end of the room, and without vouchsafing a word, signed to
him to advance. He entered into a room even larger than the first,
and very badly lighted. The walls also were whitened, but there was
no furniture. Only in a corner near the door Julien saw as he passed
a white wooden bed, two straw chairs, and a little pinewood armchair
without any cushions. He perceived at the other end of the room, near a
small window with yellow panes decorated with badly kept flower vases,
a man seated at a table, and covered with a dilapidated cassock. He
appeared to be in a temper, and took one after the other a number of
little squares of paper, which he arranged on his table after he had
written some words on them. He did not notice Julien's presence. The
latter did not move, but kept standing near the centre of the room in
the place where the porter, who had gone out and shut the door, had
left him.
Public-domain text, read in full here on John Shaqi.
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