The Red and the Black: A Chronicle of 1830Stendhal
General
The Red and the Black: A Chronicle of 1830
Stendhal
Ambition -- Fiction; Bildungsromans; Church and state -- Fiction; France -- Fiction; Young men -- France -- Fiction
"What a blank life I shall pass with a person like Croisenois," she
said to herself as he took her back to her place an hour afterwards.
"What pleasure do I get," she added sadly, "if after an absence of
six months I find myself at a ball which all the women of Paris were
mad with jealousy to go to? And what is more I am surrounded by the
homage of an ideally constituted circle of society. The only bourgeois
are some peers and perhaps one or two Juliens. And yet," she added
with increasing sadness, "what advantages has not fate bestowed upon
me! Distinction, fortune, youth, everything except happiness. My most
dubious advantages are the very ones they have been speaking to me
about all the evening. Wit, I believe I have it, because I obviously
frighten everyone. If they venture to tackle a serious subject, they
will arrive after five minutes of conversation and as though they had
made a great discovery at a conclusion which we have been repeating to
them for the last hour. I am beautiful, I have that advantage for which
madame de Stael would have sacrificed everything, and yet I'm dying of
boredom. Shall I have reason to be less bored when I have changed my
name for that of the marquis de Croisenois?
"My God though," she added, while she almost felt as if she would like
to cry, "isn't he really quite perfect? He's a paragon of the education
of the age; you can't look at him without his finding something
charming and even witty to say to you; he is brave. But that Sorel is
strange," she said to herself, and the expression of her eyes changed
from melancholy to anger. "I told him that I had something to say to
him and he hasn't deigned to reappear."
CHAPTER XXXIX
THE BALL
The luxurious dresses, the glitter of the candles; all
those pretty arms and fine shoulders; the bouquets,
the intoxicating strains of Rossini, the paintings of
Ciceri. I am beside myself.--_Journeys of Useri_.
"You are in a bad temper," said the marquise de la Mole to her; "let me
caution you, it is ungracious at a ball."
"I only have a headache," answered Mathilde disdainfully, "it is too
hot here."
At this moment the old Baron Tolly became ill and fell down, as though
to justify mademoiselle de la Mole's remark. They were obliged to carry
him away. They talked about apoplexy. It was a disagreeable incident.
Mathilde did not bother much about it.
She made a point of never looking at old men, or at anyone who had the
reputation of being bad company.
She danced in order to escape the conversation about the apoplexy,
which was not apoplexy inasmuch as the baron put in an appearance the
following day.
"But Sorel does not come," she said to herself after she had danced.
She was almost looking round for him when she found him in another
salon. Astonishing, but he seemed to have lost that impassive coldness
that was so natural to him; he no longer looked English.
Public-domain text, read in full here on John Shaqi.
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