M. de La Mole had lost patience with his bookseller, who always sent him all the spurious memoirs, and had instructed Julien to buy all the new books, which were at all stimulating. But in order to prevent the poison spreading over the household, the secretary was ordered to place the books in a little book-case that stood in the marquis's own room. He was soon quite certain that although the new books were hostile to the interests of both State and Church, they very quickly disappeared. It was certainly not Norbert who read them. Julien attached undue importance to this discovery, and attributed to mademoiselle de la Mole a Machiavellian rôle. This seeming depravity constituted a charm in his eyes, the one moral charm, in fact, which she possessed. He was led into this extravagance by his boredom with hypocrisy and moral platitudes. It was more a case of his exciting his own imagination than of his being swept away by his love. It was only after he had abandoned himself to reveries about the elegance of mademoiselle de la Mole's figure, the excellent taste of her dress, the whiteness of her hand, the beauty of her arm, the _disinvoltura_ of all her movements, that he began to find himself in love. Then in order to complete the charm he thought her a Catherine de' Medici. Nothing was too deep or too criminal for the character which he ascribed to her. She was the ideal of the Maslons, the Frilairs, and the Castanèdes whom he had admired so much in his youth. To put it shortly, she represented in his eyes the Paris ideal. Could anything possibly be more humorous than believing in the depth or in the depravity of the Parisian character? It is impossible that this _trio_ is making fun of me thought Julien. The reader knows little of his character if he has not begun already to imagine his cold and gloomy expression when he answered Mathilde's looks. A bitter irony rebuffed those assurances of friendship which the astonished mademoiselle de la Mole ventured to hazard on two or three occasions. Piqued by this sudden eccentricity, the heart of this young girl, though naturally cold, bored and intellectual, became as impassioned as it was naturally capable of being. But there was also a large element of pride in Mathilde's character, and the birth of a sentiment which made all her happiness dependent on another, was accompanied by a gloomy melancholy. Julien had derived sufficient advantage from his stay in Paris to appreciate that this was not the frigid melancholy of ennui. Instead of being keen as she had been on at homes, theatres, and all kinds of distractions, she now shunned them.