The Red and the Black: A Chronicle of 1830Stendhal
General
The Red and the Black: A Chronicle of 1830
Stendhal
Ambition -- Fiction; Bildungsromans; Church and state -- Fiction; France -- Fiction; Young men -- France -- Fiction
Nor again is it love which is the dominant principle in the career of
young men who, like Julien, are gifted with some talent; they attach
themselves with an irresistible grip to some côterie, and when the
côterie succeeds all the good things of society are rained upon them.
Woe to the studious man who belongs to no côterie, even his smallest
and most doubtful successes will constitute a grievance, and lofty
virtue will rob him and triumph. Yes, monsieur, a novel is a mirror
which goes out on a highway. Sometimes it reflects the azure of the
heavens, sometimes the mire of the pools of mud on the way, and the
man who carries this mirror in his knapsack is forsooth to be accused
by you of being immoral! His mirror shows the mire, and you accuse the
mirror! Rather accuse the main road where the mud is, or rather the
inspector of roads who allows the water to accumulate and the mud to
form.
Now that it is quite understood that Mathilde's character is impossible
in our own age, which is as discreet as it is virtuous, I am less
frightened of offence by continuing the history of the follies of this
charming girl.
During the whole of the following day she looked out for opportunities
of convincing herself of her triumph over her mad passion. Her great
aim was to displease Julien in everything; but not one of his movements
escaped her.
Julien was too unhappy, and above all too agitated to appreciate so
complicated a stratagem of passion. Still less was he capable of
seeing how favourable it really was to him. He was duped by it. His
unhappiness had perhaps never been so extreme. His actions were so
little controlled by his intellect that if some mournful philosopher
had said to him, "Think how to exploit as quickly as you can those
symptoms which promise to be favourable to you. In this kind of
head-love which is seen at Paris, the same mood cannot last more than
two days," he would not have understood him. But however ecstatic he
might feel, Julien was a man of honour. Discretion was his first duty.
He appreciated it. Asking advice, describing his agony to the first
man who came along would have constituted a happiness analogous to
that of the unhappy man who, when traversing a burning desert receives
from heaven a drop of icy water. He realised the danger, was frightened
of answering an indiscreet question by a torrent of tears, and shut
himself up in his own room.
He saw Mathilde walking in the garden for a long time. When she at last
left it, he went down there and approached the rose bush from which she
had taken a flower.
Public-domain text, read in full here on John Shaqi.
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