Again he bought some cheap pots, which he broke in pieces, and covered
three or four hundred fragments with his mixtures. These he carried,
with the help of a man, to a kiln belonging to some potters in the
forest, and asked leave to bake them. The potters willingly gave him
permission, and the pieces were laid carefully in the furnace. After
four hours Palissy ventured to examine them, and found one of the
fragments perfectly baked, and covered with a splendid white glaze. 'My
joy was such,' he writes, 'that I felt myself another man'; but he
rejoiced too soon, for success was still far distant. The mixture which
produced the white glaze was probably due to Palissy having added
unconsciously a little more of some special substance, because when he
tried to make a fresh mixture to spread over the rest of the pieces he
failed to obtain the same result. Still, though the disappointment was
great, he did not quite cease to 'feel another man.' He had done what he
had wanted once, and some day he would do it again and always.
* * * * *
It seems strange that Palissy did not go to Limoges, which was not very
far off, and learn the trade of enamelling at the old-established
manufactory there. It would have saved him from years of toil and
heartsickness, and his family from years of poverty. But no! he wished
to discover the secret _for himself_, and this he had no right to do at
the expense of other people.
However, we must take the man as he was, and as we read the story of his
incessant toils we wonder that any human being should have lived to tell
the tale. He was too poor to get help; perhaps he did not want it; but
'he worked for more than a month night and day,' grinding into powder
the substances such as he had used at the moment of his success. But
heat the furnace as he might, it would not bake, and again he was
beaten. He had found the secret of the enamel, but not how to make it
form part of the pots.
Each time victory appeared certain some fresh misfortune occurred, the
most vexatious of all being one which seems due to Palissy's own
carelessness. The mortar used by the potter in building his kiln was
full of small pebbles, and when the oven became very hot these pebbles
split, and mixed with the glaze. Then the enamel was spread over the
earthen pots (which at last were properly baked), and the surface of
each vessel, instead of being absolutely smooth, became as sharp as a
razor and tore the hand of any unlucky person who touched it.
Public-domain text, read in full here on John Shaqi.
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