The Red Debt: Echoes from KentuckyMacDonald, Everett
General
The Red Debt: Echoes from Kentucky
MacDonald, Everett
Kentucky -- Fiction
Miss Worth had arranged for all her minor purchases to be delivered to
the school the same day that the gowns were sent. In the meantime,
Belle-Ann had made three hurried trips with Miss Worth to the modiste in
Lexington for fittings. Then, one memorable day, a horde of boxes
arrived at the school for Belle-Ann. There were four exquisite dresses
cut in the latest fashion. There were three beautiful imported hats.
There were delicate veils and gloves and shoes and three dainty pairs of
pumps embellished with oddly carved silver buckles. There were lingerie
of the finest texture and stockings of many hues, so soft and fine that
Belle-Ann marvelled at their resiliency. Also, there was a great
brass-bound trunk, with compartments, with Belle-Ann's name stamped
thereon, and a smart buff-leather traveling bag.
There was everything calculated to inspire a girl-heart to the heights
of inexpressible happiness,--particularly a girl who had never before
known a luxurious life. Miss Worth and Belle-Ann spent half the night in
the girl's room amid a deluge of tissue paper and boxes.
The following Tuesday Miss Worth and Belle-Ann went to Lexington to
visit Colonel Tennytown and his sister. The girl's figure had rounded
and she had grown a head taller during the past winter. Her appearance
in a city in her simple mountain garb would have challenged
attention,--not because of the quaintness of the garb, but by merit of
her natural grace and fresh, startling beauty. But to-day this wealth of
beauty was enhanced a hundred fold. When she alighted at the station in
Lexington, she presented a vision of loveliness that arrested the
admiring eyes of people who had become inured to the sight of pretty
girls, from the nearby newsboys, up to a group of loquacious old ladies
who wore suffragist badges.
Belle-Ann wore a dark blue creation that fell in clinging, Parisian
grace about her supple form. The yoke and sleeves were trimmed with
pleated lace of exquisite richness, and a jabot of lace fell down the
front from the yoke midway to the waistline. On her feet were dark blue
pumps with silver buckles and hose to match. She wore a large Panama hat
caught up at one side, drooping at the other side and back and girded
with a wide Persian ribbon knotted at the back and ending in a silk
fringe that trailed toward the hair. Her mass of black, lustrous curls
were caught up in the back in the embrace of a large Oriental clasp of
unique design.
In one hand she carried a beautiful Oriental purse suspended by a
dragon-skin thong, which was hemmed with a camel's-hair braid. In the
other hand, she balanced a long-stemmed white silk parasol. The apparel
might have been duplicated; but the oval face under the Panama hat had
no replica. There was no vestige of powder or cosmetics on the girl's
complexion, which was left in all the rich purity that nature decreed to
her.
Public-domain text, read in full here on John Shaqi.
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